LEADER 03883nam 2200961 a 450 001 9910817908703321 005 20230725035430.0 010 $a1-283-29178-9 010 $a0-520-94830-0 010 $a9786613291783 024 7 $a10.1525/9780520948303 035 $a(CKB)2670000000355393 035 $a(EBL)784536 035 $a(OCoLC)756484687 035 $a(SSID)ssj0000539118 035 $a(PQKBManifestationID)11357031 035 $a(PQKBTitleCode)TC0000539118 035 $a(PQKBWorkID)10569454 035 $a(PQKB)10204647 035 $a(MiAaPQ)EBC784536 035 $a(OCoLC)759006975 035 $a(MdBmJHUP)muse30821 035 $a(DE-B1597)518735 035 $a(DE-B1597)9780520948303 035 $a(Au-PeEL)EBL784536 035 $a(CaPaEBR)ebr10504627 035 $a(CaONFJC)MIL329178 035 $a(EXLCZ)992670000000355393 100 $a20100924d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMichelangelo red Antonioni blue$b[electronic resource] $eeight reflections on cinema /$fMurray Pomerance 210 $aBerkeley $cUniversity of California Press$dc2011 215 $a1 online resource (321 p.) 300 $aDescription based upon print version of record. 311 $a0-520-25870-3 311 $a0-520-26686-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Beyond the clouds -- Identification of a woman -- The Red Desert -- The dangerous thread of things -- The mystery of Oberwald -- Zabriskie Point -- The passenger -- Blow-up. 330 $aMichelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s-L'avventura, La Notte, L'eclisse-are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni's greatest works. Writing in an accessible style that evokes Antonioni's expansive use of space, Pomerance discusses The Red Desert, Blow-Up, Professione: Reporter (The Passenger), Zabriskie Point, Identification of a Woman, The Mystery of Oberwald, Beyond the Clouds, and The Dangerous Thread of Things to analyze the director's subtle and complex use of color. Infusing his open-ended inquiry with both scholarly and personal reflection, Pomerance evokes the full range of sensation, nuance, and equivocation that became Antonioni's signature. 606 $aPERFORMING ARTS / Film & Video / General$2bisacsh 610 $a1960s. 610 $aart film. 610 $abeyond the clouds. 610 $ablow up. 610 $acinema scholars. 610 $acinema studies. 610 $acinemaphiles. 610 $adiscussion books. 610 $aessay collection. 610 $afamous directors. 610 $afilm analysis. 610 $afilm and culture. 610 $afilm criticism. 610 $afilm critics. 610 $afilm historians. 610 $afilm production. 610 $afilm scholars. 610 $afilm studies. 610 $afilmmakers. 610 $aidentification of a woman. 610 $amichelangelo antonioni. 610 $amodernism. 610 $amodernist film. 610 $anonfiction essays. 610 $apop culture. 610 $aspace in film. 610 $athe dangerous thread of things. 610 $athe red desert. 610 $azabriskie point. 615 7$aPERFORMING ARTS / Film & Video / General. 676 $a791.4302/33092 700 $aPomerance$b Murray$f1946-$0883499 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910817908703321 996 $aMichelangelo red Antonioni blue$93915744 997 $aUNINA