LEADER 03993nam 2200625Ia 450 001 9910817833903321 005 20200520144314.0 010 $a1-283-30929-7 010 $a9786613309297 010 $a1-61703-123-2 035 $a(CKB)2550000000062774 035 $a(EBL)794510 035 $a(OCoLC)759520667 035 $a(SSID)ssj0000537141 035 $a(PQKBManifestationID)11362117 035 $a(PQKBTitleCode)TC0000537141 035 $a(PQKBWorkID)10552648 035 $a(PQKB)10854094 035 $a(StDuBDS)EDZ0000203623 035 $a(OCoLC)767696210 035 $a(MdBmJHUP)muse850 035 $a(Au-PeEL)EBL794510 035 $a(CaPaEBR)ebr10508856 035 $a(CaONFJC)MIL330929 035 $a(MiAaPQ)EBC794510 035 $a(EXLCZ)992550000000062774 100 $a20110422d2011 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 00$aGlobal neorealism $ethe transnational history of a film style /$fedited by Saverio Giovacchini and Robert Sklar 205 $a1st ed. 210 $aJackson $cUniversity Press of Mississippi$d2011 215 $a1 online resource (283 p.) 300 $aDescription based upon print version of record. 311 $a1-61703-122-4 320 $aIncludes bibliographical references and index. 327 $aIntroduction: the geography and history of global neorealism / Saverio Giovacchini and Robert Sklar -- Before the (Neorealist) revolution / Vito Zagarrio -- Soviet-Italian cinematic exchanges, 1920's 1950's: from early Soviet film theory to neorealism / Masha Salazkina -- The role of documentary film in the formation of the neorealist cinema / Luca Caminati -- "The exalted spirit of the actual": James Agee, critic and filmmaker, and the U.S. response to neorealism / Robert Sklar -- Marketing meaning, branding neorealism: advertising and promoting Italian cinema in postwar America / Nathaniel Brennan -- Neorealism: another "cinema de papa" for the French new wave? / Caroline Eades -- "With an incredible realism that beats the best of the European cinemas": the making of Barrio Gris and the reception of Italian neorealism in Argentina, 1947-1955 / Paula Halperin -- Living in peace after the massacre: neorealism, colonialism, and race / Saverio Giovacchini -- From Italian neorealism to new Latin American cinema: ruptures and continuities during the 1960's / Mariano Mestman -- Importing neorealism, exporting cinema: Indian cinema and film festivals in the 1950's / Neepa Majumdar -- Neorealism and nationalist African cinema / Sada Niang -- Documenting the social reality of Brazil: Roberto Rossellini, the Paraban -- Documentary school, and the cinema novistas / Sarah Sarzynski -- Neorealism Iranian style / Hamid Naficy -- Epilogue: neorealism, cinema of poetry, and Italian contemporary cinema / Silvia Carlorosi. 330 $aIntellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of Fascism. Lasting from 1945 to the early 1950's, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, citta? aperta ( Rome, Open City , 1945) and Vittorio De Sica's Ladri di biciclette ( Bicycle Thieves , 1947). These films won some of the most prestigious 606 $aRealism in motion pictures 606 $aMotion pictures$zItaly$xHistory$y20th century 615 0$aRealism in motion pictures. 615 0$aMotion pictures$xHistory 676 $a791.43/612 701 $aGiovacchini$b Saverio$f1963-$01707313 701 $aSklar$b Robert$0449580 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910817833903321 996 $aGlobal neorealism$94095434 997 $aUNINA