LEADER 03949nam 2200541 450 001 9910817699403321 005 20191126113824.0 010 $a0-8135-9935-0 024 7 $a10.36019/9780813599359 035 $a(CKB)4100000009590530 035 $a(MiAaPQ)EBC5963038 035 $a(DE-B1597)637906 035 $a(DE-B1597)9780813599359 035 $a(OCoLC)1124761865 035 $a(EXLCZ)994100000009590530 100 $a20191126d2020 ub 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aHollywood at the intersection of race and identity /$fedited by Delia Malia Caparoso Konzett 210 1$aNew Brunswick :$cRutgers University Press,$d2020. 215 $a1 online resource (371 pages) 311 $a0-8135-9931-8 311 $a0-8135-9932-6 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tCONTENTS -- $tIntroduction -- $tPart 1. HOLLYWOOD FORMULAS -- $t1 Daydreams of Society -- $t2 The Death of Lon Chaney -- $t3 MGM?s Sleeping Lion -- $t4 Yellowface, Minstrelsy, and Hollywood Happy Endings -- $tPart 2. GENRE AND RACE IN CLASSICAL HOLLYWOOD -- $t5 ?A Queer, Strangled Look? -- $t6 By Herself -- $t7 Disruptive Mother-Daughter Relationships -- $t8 The Egotistical Sublime -- $tPart 3. RACE AND ETHNICITY IN POST?WORLD WAR II HOLLYWOOD -- $t9 Women and Class Mobility in Classical Hollywood?s Immigrant Dramas -- $t10 Hawai?i Statehood, Indigeneity, and Go for Broke! (1951) -- $t11 Savage Whiteness -- $t12 Rita Moreno?s Hair -- $tPart 4. INTERSECTIONALITY, HOLLYWOOD, AND CONTEMPORARY POPULAR CULTURE -- $t13 ?Everything Glee in ?America? ? -- $t14 Hip-Hop ?Hearts? Ballet -- $t15 Fakin? da Funk (1997) and Gook (2017) -- $t16 ?Let Us Roam the Night Together? -- $tAcknowledgments -- $tBibliography -- $tNotes on Contributors -- $tIndex 330 $aHollywood at the Intersection of Race and Identity explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood?s task of erecting normative cultural standards? How do some films perhaps knowingly undermine their inherent ideology by opening a field of conflicting and competing intersecting identities? The challenge set out in this volume is to revisit well-known films in search for a narrative not exclusively constituted by the Hollywood formula and to answer the questions: What lies beyond the frame? What elements contradict a film?s sustained illusion of a normative world? Where do films betray their own ideology and most importantly what intersectional spaces of identity do they reveal or conceal? 606 $aIdentity (Psychology) in motion pictures 606 $aRace in motion pictures 606 $aMotion pictures$zUnited States$xHistory 606 $aIntersectionality (Sociology)$zUnited States 610 $aHollywood, race, identity, intersectionality, ethnicity, gender, sexuality, nationality, cinema, movies, film, camera, video, aesthetics, ideology, film analysis, United States cinema, American cinema, Hollywood formula, representation. 615 0$aIdentity (Psychology) in motion pictures. 615 0$aRace in motion pictures. 615 0$aMotion pictures$xHistory. 615 0$aIntersectionality (Sociology) 676 $a791.43653 700 $aKonzett$b Delia Malia Caparoso$01237724 702 $aKonzett$b Delia Maria Caparoso 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910817699403321 996 $aHollywood at the intersection of race and identity$94003952 997 $aUNINA