LEADER 03429nam 2200601Ia 450 001 9910817613503321 005 20240417033808.0 010 $a0-7914-7933-1 010 $a1-4356-2689-3 035 $a(CKB)1000000000483102 035 $a(OCoLC)191684448 035 $a(CaPaEBR)ebrary10575936 035 $a(SSID)ssj0000244234 035 $a(PQKBManifestationID)11226866 035 $a(PQKBTitleCode)TC0000244234 035 $a(PQKBWorkID)10168757 035 $a(PQKB)10515962 035 $a(MiAaPQ)EBC3407510 035 $a(MdBmJHUP)muse6593 035 $a(Au-PeEL)EBL3407510 035 $a(CaPaEBR)ebr10575936 035 $a(OCoLC)923405945 035 $a(EXLCZ)991000000000483102 100 $a20061201d2007 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aSeoul searching$b[electronic resource] $eculture and identity in contemporary Korean cinema /$fFrances Gateward, editor 205 $a1st ed. 210 $aAlbany $cState University of New York Press$dc2007 215 $a1 online resource (330 p.) 225 1 $aSUNY series, horizons of cinema 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7914-7225-6 320 $aIncludes bibliographical references and index. 327 $aIntro -- Seoul Searching -- Contents -- Illustrations -- Acknowledgments -- Introduction -- PART 1. Industry Trends and Popular Genres -- 1. Korean Cinema after Liberation: Production, Industry, and Regulatory Trends -- 2. Christmas in August and Korean Melodrama -- 3. Storming the Big Screen: The Shiri Syndrome -- 4. Timeless, Bottomless Bad Movies: Or, Consuming Youth in the New Korean Cinema -- PART 2. Directing New Korean Cinema -- 5. Scream and Scream Again: Korean Modernity as a House of Horrors in the Films of Kim Ki-young -- 6. Forgetting to Remember, Remembering to Forget: The Politics of Memory and Modernityin the Fractured Films of Lee Chang-dongand Hong Sang-soo -- 7. Reflexivity and Identity Crisisin Park Chul-soo's Farewell, My Darling -- 8. Nowhere to Hide: The Tumultuous Materialism of Lee Myung-se -- 9. Closing The Circle: Why Has Bodhidharma Left For The East? -- PART 3. Narratives of the National -- 10. Waiting to Exhale: The Colonial Experience and theTrouble with My Own Breathing -- 11. Crossing the Border to the "Other" Side: Dynamics of Interaction betweenNorth and South Koreans in Spy Li Cheol-jin and Joint Security Area -- 12. Race, Gender, and Postcolonial Identity in Kim Ki-duk'sAddress Unknown -- 13. Transgressing Boundaries: From Sexual Abuse to Eating Disorders in 301/302 -- 14. Taking the Plunge: Representing Queer Desire in Contemporary South Korean Cinema -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z. 330 $aKorean cinema as industry, art form, and cultural product. 410 0$aSUNY series, horizons of cinema. 606 $aMotion pictures$zKorea (South) 606 $aCulture in motion pictures 615 0$aMotion pictures 615 0$aCulture in motion pictures. 676 $a791.43095195 701 $aGateward$b Frances K$01673524 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910817613503321 996 $aSeoul searching$94108453 997 $aUNINA