LEADER 03659oam  2200709I  450 
001 9910817511203321
005 20240131142440.0
010   $a1-136-22983-3
010   $a1-283-58625-8
010   $a9786613898708
010   $a0-203-10013-1
010   $a1-136-22984-1
024 7 $a10.4324/9780203100134 
035   $a(CKB)2670000000237917
035   $a(EBL)1016076
035   $a(OCoLC)810077895
035   $a(SSID)ssj0000736857
035   $a(PQKBManifestationID)12325340
035   $a(PQKBTitleCode)TC0000736857
035   $a(PQKBWorkID)10781819
035   $a(PQKB)10490884
035   $a(MiAaPQ)EBC1016076
035   $a(Au-PeEL)EBL1016076
035   $a(CaPaEBR)ebr10596212
035   $a(CaONFJC)MIL389870
035   $a(OCoLC)811411984
035   $a(OCoLC)1193335560
035   $a(FINmELB)ELB136091
035   $a(EXLCZ)992670000000237917
100   $a20180706d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe construction of drawings and movies $emodels for architectural design and analysis /$fThomas Forget
210  1$aNew York :$cRoutledge,$d2013.
215   $a1 online resource (266 p.)
300   $aDescription based upon print version of record.
311   $a0-415-89840-4 
311   $a0-415-89839-0 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: Analytical & Pictorial Imagery -- Logics of Construction. The Demystification of Linear Perspective -- The Making of a Movie -- Matters of History. The Non-linear Progression of Linear Perspective -- The Extents and Limits of Architecture-Cinema --  Indeterminate Projections. Architectural Drawings -- Architectural Movies -- Epilogue: The Reflexivity of Architecture and Projection.
330   $a"Here, clearly demonstrated, are principles for constructing linear perspective drawings and experimental works of cinema that will help you use digital tools in the design studio. As an architect, your drawings need to examine how parts or spaces connect and relate in abstract, or analytical ways. These approaches to drawing and modeling will let you see the information that analytical graphics show. And you'll learn to use film in the same way. Author Thomas Forget explains how to construct linear perspective drawings and illustrates experimental movie-making strategies. By combining these two methods you can analyze and improve your drawings and increase your graphic literacy. He includes case studies of recent drawing, movie-making, and architecture created by practicing architects, such as Mies van der Rohe and Lewis Tsurumaki Lewis; by filmmakers, such as William Whyte and Thom Andersen; and by students, to show you the best of what's been done. And he presents the theory behind how to represent buildings that will inspire and get you thinking"--$cProvided by publisher.
606   $aPerspective
606   $aArchitectural drawing$xTechnique
606   $aArchitectural drawing$xData processing
606   $aExperimental films$xProduction and direction
615  0$aPerspective.
615  0$aArchitectural drawing$xTechnique.
615  0$aArchitectural drawing$xData processing.
615  0$aExperimental films$xProduction and direction.
676   $a720.28/4
686   $aARC000000$aARC004000$aARC012000$2bisacsh
700   $aForget$b Thomas.$01634739
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910817511203321
996   $aThe construction of drawings and movies$93975100
997   $aUNINA