LEADER 04343nam 2200529 450 001 9910817497203321 005 20211027022714.0 010 $a1-4773-1604-3 024 7 $a10.7560/316030 035 $a(CKB)4100000004820618 035 $a(MiAaPQ)EBC5398040 035 $a(DE-B1597)586706 035 $a(DE-B1597)9781477316047 035 $a(EXLCZ)994100000004820618 100 $a20180606d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aHomer in performance $erhapsodes, narrators, and characters /$fedited by Jonathan L. Ready and Christos C. Tsagalis 205 $aFirst edition. 210 1$aAustin :$cUniversity of Texas Press,$d[2018] 210 4$dİ2018 215 $a1 online resource (430 pages) 311 $a1-4773-1603-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction / Jonathan L. Ready and Christos C. Tsagalis -- pt. 1. Rhapsodes -- Performance contexts for rhapsodic recitals in the archaic and classical periods / Christos C. Tsagalis -- Reading rhapsodes on Athenian vases / Sheramy D. Bundrick -- Performance contexts for rhapsodic recitals in the Hellenistic period / Christos C. Tsagalis -- Rhapsodes and rhapsodic contests in the imperial period / Anne Gangloff -- Formed on the festival stage : plot and characterization in the iliad as a competitive collaborative process / Mary R. Bachvarova -- Did Sappho and Homer ever meet? comparative perspectives on homeric singers / Olga Levaniouk -- pt. 2. Narrators and characters -- Odysseus polyonymous / Deborah Beck -- Embedded focalization and free indirect speech in Homer as viewpoint blending / Anna Bonifazi -- Speech training and the mastery of context : Thoas the Aetolian and the practice of muthoi / Joel P. Christensen -- Diomedes as audience and speaker in the Iliad / James O'Maley -- Hektor, the marginal hero : performance theory and the Homeric monologue / Lorenzo F. Garcia Jr -- Performance, oral texts, and entextualization in Homeric epic / Jonathan L. Ready -- Homer's rivals? internal narrators in the Iliad / Adrian Kelly. 330 $aBefore they were written down, the poems attributed to Homer were performed orally, usually by rhapsodes (singers/reciters) who might have traveled from city to city or enjoyed a position in a wealthy household. Even after the Iliad and the Odyssey were committed to writing, rhapsodes performed the poems at festivals, often competing against each other. As they recited the epics, the rhapsodes spoke as both the narrator and the characters. These different acts?performing the poem and narrating and speaking in character within it?are seldom studied in tandem. Homer in Performance breaks new ground by bringing together all of the speakers involved in the performance of Homeric poetry: rhapsodes, narrators, and characters. The first part of the book presents a detailed history of the rhapsodic performance of Homeric epic from the Archaic to the Roman Imperial periods and explores how performers might have shaped the poems. The second part investigates the Homeric narrators and characters as speakers and illuminates their interactions. The contributors include scholars versed in epigraphy, the history of art, linguistics, and performance studies, as well as those capable of working with sources from the ancient Near East and from modern Russia. This interdisciplinary approach makes the volume useful to a spectrum of readers, from undergraduates to veteran professors, in disciplines ranging from classical studies to folklore. 606 $aEpic poetry, Greek$xHistory and criticism$xTheory, etc 606 $aPerforming arts$xAppreciation$zGreece 606 $aOral interpretation of poetry 606 $aOral tradition$zGreece 615 0$aEpic poetry, Greek$xHistory and criticism$xTheory, etc. 615 0$aPerforming arts$xAppreciation 615 0$aOral interpretation of poetry. 615 0$aOral tradition 676 $a883/.01 702 $aReady$b Jonathan L.$f1976- 702 $aTsagalis$b Christos 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910817497203321 996 $aHomer in performance$94017786 997 $aUNINA