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010   $a9786612357725
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100   $a20050321d2005      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aSight unseen $ewhiteness and American visual culture /$fMartin A. Berger
205   $a1st ed.
210   $aBerkeley $cUniversity of California Press$d2005
215   $a1 online resource (xiv, 236 pages) $cillustrations, maps
311 0 $a0-520-24459-1 
320   $aIncludes bibliographical references and index.
327   $aContents; List of Illustrations; Acknowledgments; Introduction. White Like Me; 1. Genre Painting and the Foundations of Modern Race; 2. Landscape Photography and the White Gaze; 3. Museum Architecture and the Imperialism of Whiteness; 4. Silent Cinema and the Gradations of Whiteness; Epilogue. The Triumph of Racialized Thought; Notes; Bibliography; Index
330   $aSight Unseen explores how racial identity guides the interpretation of the visual world. Through a nimble analysis of late-nineteenth- and early-twentieth-century paintings, photographs, museums, and early motion pictures, Martin A. Berger illustrates how a shared investment in whiteness invisibly guides what European Americans see, what they accept as true, and, ultimately, what legal, social, and economic policies they enact.
606   $aArt and race
606   $aArts, American$y19th century
606   $aRace awareness in art
606   $aWhites$xRace identity$zUnited States
615  0$aArt and race.
615  0$aArts, American
615  0$aRace awareness in art.
615  0$aWhites$xRace identity
676   $a701/.03
700   $aBerger$b Martin A$030331
801  0$bMiAaPQ
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906   $aBOOK
912   $a9910817485003321
996   $aSight unseen$94127266
997   $aUNINA