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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aColor in the age of impressionism $ecommerce, technology, and art /$fLaura Anne Kalba
210  1$aUniversity Park, Pennsylvania :$cPennsylvania State University Press,$d[2017]
210  4$d©2017
215   $a1 online resource (xvii, 266 pages )
225 1 $aRM, refiguring modernism
311 0 $a0-271-07700-X 
320   $aIncludes bibliographical references (pages 241-258) and index.
327   $tFront matter --$tCONTENTS --$tList of Illustrations --$tAcknowledgments --$tIntroduction --$tChapter One. Michel- Eugène Chevreul, Color, and the Dangers of Excessive Variety --$tChapter Two . From Blue Roses to Yellow Violets: Flowers and the Cultivation of Color --$tChapter Three . Impressionism?s Chemical Aesthetic: The Materials and Meanings of Color --$tChapter Four . Fireworks: Color, Fantasy, and the Visual Culture of Modern Enchantment --$tChapter Five . Chromolithography: Posters, Trade Cards, and the Politics of Ephemera Collecting in Fin-de-Siècle France --$tEpilogue . Autochromes and Neo- Impressionism: The End of the Age of Impressionism --$tNotes --$tBibliography --$tIndex
330   $a"Analyzes the impact of color technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumiere brothers' perfection of the autochrome color photography process. Examines the development of the basic aesthetic schemata of modern visual culture"--Provided by publisher.
410  0$aRefiguring modernism.
606   $aColor in art
606   $aColor$xSocial aspects$zFrance$xHistory$y19th century
606   $aImpressionism (Art)$zFrance
615  0$aColor in art.
615  0$aColor$xSocial aspects$xHistory
615  0$aImpressionism (Art)
676   $a701.85
700   $aKalba$b Laura Anne$f1977-$01598795
801  0$bMiAaPQ
801  1$bMiAaPQ
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906   $aBOOK
912   $a9910817419303321
996   $aColor in the age of impressionism$93921202
997   $aUNINA