LEADER 04319oam 2200853I 450 001 9910817393503321 005 20240516212458.0 010 $a9780203847695$b(electronic book) 010 $a9780415472135$b(hardback : alkaline paper) 010 $a9780415472142$b(paperback : alkaline paper) 010 $a1-136-94307-2 010 $a9786613832320 010 $a1-283-51987-9 010 $a1-136-94308-0 010 $a0-203-84769-5 024 7 $a10.4324/9780203847695 035 $a(CKB)2560000000089403 035 $a(EBL)987864 035 $a(OCoLC)804661597 035 $a(SSID)ssj0000740877 035 $a(PQKBManifestationID)12311266 035 $a(PQKBTitleCode)TC0000740877 035 $a(PQKBWorkID)10720195 035 $a(PQKB)10274581 035 $a(SSID)ssj0000737235 035 $a(PQKBManifestationID)12341374 035 $a(PQKBTitleCode)TC0000737235 035 $a(PQKBWorkID)10782504 035 $a(PQKB)10815651 035 $a(OCoLC)811383947 035 $a(MiAaPQ)EBC987864 035 $a(Au-PeEL)EBL987864 035 $a(CaPaEBR)ebr10589015 035 $a(CaONFJC)MIL383232 035 $a(OCoLC)1127934550 035 $a(FINmELB)ELB137970 035 $a(EXLCZ)992560000000089403 100 $a20180706h20102010 ky 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 181 $2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEngaging performance$b[electronic resource] $etheatre as call and response /$fJan Cohen-Cruz 205 $a1st ed. 210 1$aAbingdon, England ;$aNew York, NY :$cRoutledge, an imprint of the Taylor & Francis Group,$d2010. 210 4$dİ2010 215 $a1 online resource (241 pages) ;$cillustrations 311 $a0-415-47213-X 311 $a0-415-47214-8 320 $aIncludes bibliographical references and index. 327 $aIntroduction; Kinship among engaged performance practices; Purposes of writing this book; Book organization: centers of gravity of engaged performance -- 327 $aIntroduction -- 1. Playwrighting: Putting plays to use -- 2. Specta(c)ting: Theatre of the oppressed, orthodoxy and adaptation -- 3. Self-representing: Testimonial performance -- 4. Cultural organizing: Multiple modes of communication -- 5. Gathering assets: The art of local resources -- 6. Particularizing place: Revitalizing cities and neighborhoods -- 7. Training: An engaged artist prepares -- Afterword: The centrality of relationships in engaging performance -- APPENDIX -- 1. Selected adaptations, Cornerstone Theater -- 2. Roadside Theater's story circle methodology -- 3. Values and mission statement, Community Arts and Higher Education Partnership -- 4. Criteria, Syracuse Public Art Commission -- 5. Resources from The Curriculum Project Research. 330 $aEngaging Performance: Theatre as call and Response presents a combined analysis and workbook to examine "Socially engaged performance." It offers a range of key practical approaches, exercises, and principles for using perfromance to engage in a variety of social and artistic projects. --$cBook jacket 330 $aAuthor Jan Cohen-Cruz draws on a career of groundbreaking research and work within the fields of political, applied, and community theatre to explore the impact of how differing genres of theatre respond to social "Calls." --$cBook jacket 330 $aCohen-Cruz also draws on the work of major theoreticians, including Bertolt Brecht, Augusto Boal, and Dorean Massey, as well as analyzing in-depth case studies of the work of US practitioners today to illustrate engaged performance in action.--$cBook jacket 606 $aTheater and society$zUnited States 606 $aCommunity theater$zUnited States 606 $aDrama in community development$zUnited States 606 $aDrama$xSocial aspects$zUnited States 615 0$aTheater and society 615 0$aCommunity theater 615 0$aDrama in community development 615 0$aDrama$xSocial aspects 676 $a306.4/8480973 700 $aCohen-Cruz$b Jan$f1950-$0914702 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910817393503321 996 $aEngaging performance$94035706 997 $aUNINA