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010   $a1-84150-908-6
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100   $a20000815d2005      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aStreet Scenes$b[electronic resource] $eBrecht, Benjamin and Berlin /$fby Nicholas Whybrow
210   $aBristol ;$aPortland $cIntellect Books$dc2005
215   $a1 online resource (241 p.)
300   $aDescription based upon print version of record.
311   $a1-84150-114-X 
327   $aContents Page; Introduction: Preamble; 1. Terra Terror: the Unlikely Event; 2. Chaussee Strasse: the Last Place; 3. Chausse Strasse: Brecht's Spectacles; 4. Oranienburger Strasse: the Space of Recurrence; 5. Grosse Hamburger Strasse: the Space of Disappearance; 6. Niederkirchner Strasse: Wall Wounds; 7. Potsdamer Platz: White Noise; 8. Strasse des 17 Juni: the Space of (dis)unity; 9. Karl Liebknect Strasse: the Space of Light; Bibliography; Index of Names
330   $aAlways the focal point in modern times for momentous political, social and cultural upheaval, Berlin has continued, since the fall of the Wall in 1989, to be a city in transition. As the new capital of a reunified Germany it has embarked on a journey of rapid reconfiguration, involving issues of memory, nationhood and ownership. Bertolt Brecht, meanwhile, stands as one of the principal thinkers about art and politics in the 20th century. The 'Street Scene' model, which was the foundation for his theory of an epic theatre, relied precisely on establishing a connection between art's functioning
606   $aDramatic criticism
607   $aBerlin (Germany)$xIn literature
615  0$aDramatic criticism.
676   $a792.09430904
676   $a830.9/00912
700   $aWhybrow$b Nicolas$01607564
701   $aHeath$b Diane$01635034
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996   $aStreet Scenes$93975592
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