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100   $a20120509d2012      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 12$aA psychoanalytic approach to visual artists$b[electronic resource] /$fJames W. Hamilton
205   $a1st ed.
210   $aLondon $cKarnac Books$d2012
215   $a1 online resource (224 p.)
300   $aDescription based upon print version of record.
311   $a0-367-10089-4 
311   $a1-78049-014-3 
320   $aIncludes bibliographical references and index.
327   $aCOVER; CONTENTS; ACKNOWLEDGEMENTS; ABOUT THE AUTHOR; Introduction; CHAPTER ONE Mark Rothko; CHAPTER TWO Joseph Cornell; CHAPTER THREE Piet Mondrian; CHAPTER FOUR Pablo Picasso; CHAPTER FIVE Clement Greenberg; CHAPTER SIX Edward Weston; CHAPTER SEVEN Ingmar Bergman; CHAPTER EIGHT Franc?ois Truffaut; CHAPTER NINE Quentin Tarantino; CHAPTER TEN Florian von Donnersmarck; REFERENCES; INDEX
330   $aJames Hamilton's engaging book offers us his own unique insight into the unconscious factors involved in the creative processes associated with painting, filmmaking, and photography by studying the lives and works of a number of artists, each one having a unique personal style.In separate chapters, he looks at the lives and works of Mark Rothko, Joseph Cornell, Piet Mondrian, Pablo Picasso, Clement Greenberg, Edward Weston, Ingmar Bergman, Francois Truffaut, Quentin Tarantino, and Florian von Donnersmarck from a psychoanalytic perspective with emphasis on unconscious motivation and the quest f
606   $aArt$xPsychological aspects
606   $aAmateur films$xPsychological aspects
606   $aPsychoanalysis
615  0$aArt$xPsychological aspects.
615  0$aAmateur films$xPsychological aspects.
615  0$aPsychoanalysis.
676   $a150.195
676   $a791.43023
700   $aHamilton$b James W$0141649
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906   $aBOOK
912   $a9910817234003321
996   $aA psychoanalytic approach to visual artists$93959422
997   $aUNINA