LEADER 01796nam 2200445 450 001 9910817144403321 005 20180731115011.0 010 $a9781611487978 010 $a9781611487985 (e-boo) 035 $a(CKB)3710000001300071 035 $a(MiAaPQ)EBC4874765 035 $a(EXLCZ)993710000001300071 100 $a20170710h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aTheatrical topographies $espatial crises in Uruguayan theater post-2001 /$fSarah M. Misemer 210 1$aLewisburg, [Pennsylvania] :$cBucknell University Press,$d2017. 210 4$dİ2017 215 $a1 online resource (229 pages) 311 $a1-61148-797-8 311 $a1-61148-798-6 320 $aIncludes bibliographical references and index. 327 $aTextual landscapes: postdramatic triptychs, bifurcations, and bio-politics in Gabriel Peveroni's trilogy -- Alternative cartographies: Marianella Morena's women's spaces and journeys -- Deluges, holocausts, and neo-fascism: exposing the gaps through performance space in Sanguinetti's Ararat and Nuremberg -- Mapmaking and wayfinding in Gabriel Caldero?n's staged worlds -- Sergio Blanco's Kassandra complex: transvestite performances and clothing landscapes. 606 $aTheater$xHistory and criticism 606 $aTheater$zUruguay$xHistory and criticism 607 $aUruguay$2fast 615 0$aTheater$xHistory and criticism. 615 0$aTheater$xHistory and criticism. 676 $a792.092 700 $aMisemer$b Sarah M.$0608396 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910817144403321 996 $aTheatrical topographies$94024608 997 $aUNINA