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100   $a20140707h20141997  uy|            0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aSpike, Mike, slackers & dykes $ea guided tour across a decade of American independent cinema /$fJohn Pierson ; with the conversational collaboration of Kevin Smith
210  1$aAustin :$cUniversity of Texas Press,$d2014.
210  4$dİ1997
215   $a1 online resource (392 p.)
300   $aIncludes filmography and index.
311   $a0-292-75768-9 
327   $a""Cover""; ""Half-title""; ""Title""; ""Copyright""; ""Dedication""; ""Contents""; ""Introduction: Stranger Than Fiction""; ""Dialogue / Leaders""; ""A Quick and Slanted Pre-1984 History""; ""Dialogue / Starting Point""; ""Stranger Than Paradise and the First Golden Age""; ""Dialogue / Paradise""; ""Parting Glances & The New Queer Cinema""; ""She's Gotta Have It""; ""Tube Socks and Tube Steaks""; ""Black and White""; ""Birth of a Salesman""; ""Dialogue / Be Like Spike""; ""Working Girls and Women""; ""Inspector Errol Morris Walks The Thin Blue Line""; ""D.O.A""; ""The Dance Part 1""
327   $a""Deceased""""Quantity Not Quality""; ""Dialogue / Batman and Sex""; ""1989: The Year It All Changed""; ""Dialogue / Sex and Roger""; ""Roger and Michael and Me""; ""The Cinderella Syndrome""; ""How to Make a Studio Deal""; ""The Morning After""; ""Dialogue / Role Models""; ""Slacking Off""; ""Dialogue / Straight Outta Business""; ""The Next Soderbergh""; ""Sundance 1990""; ""Sundance 1991""; ""Sundance 1992""; ""Dialogue / Dogs""; ""Sons of Mean Streets""; ""Dialogue / 26,685""; ""How Low Can a Budget Go?""; ""Dialogue / Shannen""
327   $a""Amongst Jerks: Rob Weiss and the Dark Side of Overnight Success""""Toll Money""; ""Hitchcock: Who Needs Him?""; ""Murder Ink""; ""The Odd Couple: Sundance 1994""; ""In Hock and Staying There""; ""Go Fiscal: Anatomy of a Back End""; ""A Doc In The House""; ""Dialogue / The Clerky Boys""; ""Epilogue: It's A Wonderful Life, July 4, 1995""; ""Acknowledgments""; ""Appendix I""; ""Appendix II""; ""Appendix III""; ""Index""
330   $aThe legendary figure who launched the careers of Spike Lee, Michael Moore, and Richard Linklater offers a no-holds-barred look at the deals and details that propel an indie film from a dream to distribution.
517 3 $aSpike, Mike, slackers and dykes
606   $aMotion picture producers and directors$zUnited States$vBiography
606   $aIndependent filmmakers$zUnited States$vBiography
606   $aLow budget films
606   $aMotion pictures$xProduction and direction
615  0$aMotion picture producers and directors
615  0$aIndependent filmmakers
615  0$aLow budget films.
615  0$aMotion pictures$xProduction and direction.
676   $a791.43/0233/092273 B
700   $aPierson$b John$01639994
702   $aSmith$b Kevin
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910817103803321
996   $aSpike, Mike, slackers & dykes$93983339
997   $aUNINA