LEADER 02490nam 2200565 a 450 001 9910817089603321 005 20230718203817.0 010 $a1-283-13369-5 010 $a9786613133694 010 $a1-86189-885-1 035 $a(CKB)2670000000092470 035 $a(EBL)692181 035 $a(OCoLC)726743261 035 $a(SSID)ssj0000521053 035 $a(PQKBManifestationID)11309384 035 $a(PQKBTitleCode)TC0000521053 035 $a(PQKBWorkID)10517595 035 $a(PQKB)11347256 035 $a(MiAaPQ)EBC692181 035 $a(Au-PeEL)EBL692181 035 $a(CaPaEBR)ebr10470247 035 $a(CaONFJC)MIL313369 035 $a(EXLCZ)992670000000092470 100 $a20110607d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBallets russes style $eDiaghilev's dancers and Paris fashion /$fMary E. Davis 210 1$aLondon :$cReaktion Books,$d2010. 215 $a1 online resource (256 pages) $cillustrations (some color) 311 0 $a1-86189-757-X 320 $aIncludes bibliographical references and index. 327 $aBallets Russes Cover; Imprint page; Contents; Preface; one: Paris; two: Russia; three: The East; four: The Ancient World; five: The Modern World; References; Acknowledgements; Photo Acknowledgements; Index 330 $aIn the two decades between its debut performance and the death of impresario Sergei Diaghilev in 1929, the Ballets Russes was an unrivalled sensation in Paris and around the world. But while scholarly attention has often centered on the links between Diaghilev's troupe and modernist art and music, there has been surprisingly little analysis of the Ballets' role in the area of tastemaking and trendsetting. Ballets Russes Style addresses this gap, revealing the extent of the ensemble's influence in arenas of high style-including fashion, interior design, advertising, and the 606 $aDecoration and ornament$zGreat Britain$xHistory 606 $aFashion$xFrench influences$xHistory$y20th century 615 0$aDecoration and ornament$xHistory. 615 0$aFashion$xFrench influences$xHistory 676 $a391.0094436 676 $a792.80947 700 $aDavis$b Mary E$01619178 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910817089603321 996 $aBallets russes style$93951297 997 $aUNINA