LEADER 02430nam 2200613 a 450 001 9910817087803321 005 20240416155408.0 010 $a0-674-72835-1 010 $a0-674-72834-3 035 $a(CKB)2670000000418819 035 $a(EBL)3301322 035 $a(SSID)ssj0000980784 035 $a(PQKBManifestationID)11632745 035 $a(PQKBTitleCode)TC0000980784 035 $a(PQKBWorkID)10969511 035 $a(PQKB)10921183 035 $a(MiAaPQ)EBC3301322 035 $a(Au-PeEL)EBL3301322 035 $a(CaPaEBR)ebr10752525 035 $a(OCoLC)923120572 035 $a(EXLCZ)992670000000418819 100 $a20130423d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe collaboration $eHollywood's pact with Hitler /$fBen Urwand 205 $a1st ed. 210 $aCambridge, Mass. $cBelknap Press of Harvard University Press$d2013 215 $a1 online resource (336 p.) 300 $aDescription based upon print version of record. 311 $a0-674-72474-7 320 $aIncludes bibliographical references and index. 327 $aHitler's obsession with film -- Enter Hollywood -- "Good" -- "Bad" -- "Switched off" -- Switched on -- Epilogue. 330 $aTo continue doing business in Germany, Hollywood studios agreed not to make films attacking Nazis or condemning persecution of Jews. Ben Urwand reveals this collaboration and the cast of characters it drew in, ranging from Goebbels to Louis B. Mayer. At the center was Hitler himself--obsessed with movies and their power to shape public opinion. 606 $aMotion pictures, American$zGermany$xHistory$y20th century 606 $aMotion picture industry$zGermany$xHistory$y20th century 606 $aMotion picture industry$zUnited States$xHistory$y20th century 606 $aNational socialism and motion pictures 607 $aGermany$xCivilization$xAmerican influences 615 0$aMotion pictures, American$xHistory 615 0$aMotion picture industry$xHistory 615 0$aMotion picture industry$xHistory 615 0$aNational socialism and motion pictures. 676 $a791.430973/0943 700 $aUrwand$b Ben$f1977-$01619952 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910817087803321 996 $aThe collaboration$93952465 997 $aUNINA