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100   $a20200424h20132013  fg             0
101 0 $aeng
135   $aurnn#---|u||u
181   $ctxt
182   $cc
183   $acr
200 10$aUbiquitous Listening $eAffect, Attention, and Distributed Subjectivity /$fAnahid Kassabian
210  1$aBerkeley, CA :$cUniversity of California Press,$d[2013]
210  4$dİ2013
215   $a1 online resource (184 p.)
300   $aDescription based upon print version of record.
311 0 $a0-520-27515-2 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tAcknowledgments --$tIntroduction --$t1. Ubiquitous Listening --$t2. Listening to Video Art and the Problem of Too Many Homelands --$t3. "BOOM!" Is the Next Big Thing --$t4. Musicals Hit the Small Screen --$t5. Improvising Diasporan Identities --$t6. Would You Like Some World Music with Your Latte? --$tConclusion --$tNotes --$tWorks Cited --$tIndex
330   $aHow does the constant presence of music in modern life-on iPods, in shops and elevators, on television-affect the way we listen? With so much of this sound, whether imposed or chosen, only partially present to us, is the act of listening degraded by such passive listening? In Ubiquitous Listening, Anahid Kassabian investigates the many sounds that surround us and argues that this ubiquity has led to different kinds of listening. Kassabian argues for a new examination of the music we do not normally hear (and by implication, that we do), one that examines the way it is used as a marketing tool and a mood modulator, and exploring the ways we engage with this music.
606   $aListening
606   $aMusic -- Philosophy and aesthetics
606   $aSound
606   $aMusic$xPhilosophy and aesthetics
606   $aListening
606   $aSound
610   $aart.
610   $aartists.
610   $abackground noise.
610   $aclever insight.
610   $acritical theory.
610   $acultural hybridization.
610   $adigital art.
610   $adigital music.
610   $aengage with music.
610   $aengaging.
610   $afor reference.
610   $alistening.
610   $alively.
610   $amarketing tools.
610   $amedia studies.
610   $amodern life.
610   $amood modulation.
610   $amusic and sound.
610   $amusic appreciation.
610   $amusic.
610   $amusical moments.
610   $amusical thought.
610   $amusicology.
610   $apassive listening.
610   $aperforming arts.
610   $apopular music.
610   $asonic experiences.
610   $asonic tourism.
610   $asound studies.
610   $asound theory.
610   $asound.
610   $awhite noise.
615  4$aListening.
615  4$aMusic -- Philosophy and aesthetics.
615  4$aSound.
615  0$aMusic$xPhilosophy and aesthetics
615  0$aListening
615  0$aSound
676   $a781.11
700   $aKassabian$b Anahid$4aut$4http://id.loc.gov/vocabulary/relators/aut$0625448
801  0$bDE-B1597
801  1$bDE-B1597
906   $aBOOK
912   $a9910817087403321
996   $aUbiquitous Listening$93952461
997   $aUNINA