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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aJapanese mythology in film $ea semiotic approach to reading Japanese film and anime /$fYoshiko Okuyama
210  1$aLanham, Maryland :$cLexington Books,$d2015.
210  4$d©2015
215   $a1 online resource (263 p.)
300   $aDescription based upon print version of record.
311   $a0-7391-9092-X 
311   $a0-7391-9093-8 
320   $aIncludes bibliographical references and index.
327   $aContents; Preface; Acknowledgments; Conventions; Part I. SEMIOTICS FOR FILM ANALYSIS; Chapter 1. Introduction: What Is Semiotics?; Chapter 2. Reading Film: The Nature of Interpretation; Chapter 3. Mythology in Film: Why Study Mythology in Popular Film and Anime?; Chapter 4. Storytelling: What Is in the Story?; Chapter 5. Visual Literacy: What Do We Get from Watching Film?; Part II. APPLICATION; Chapter 6. Taoism and Shinto Symbolism in Onmyoji (2001) and Onmyo¯ji II (2003); Chapter 7. Folklore Motifs in Spirited Away (2001) and Princess Mononoke (2000)
327   $aChapter 8. Motifs of Buddhism and Folklore in Dororo (2007) and Departures (2008)Chapter 9. Eclectic Myths in Mushi-shi (2006) and Cyborg Mythology of Ghost in the Shell 2: Innocence (2004); Chapter 10. Conclusion. Social Usage of Mythology; Bibliography; Index; About the Author
330   $a<span><span>This book introduces film semiotics and demonstrates its use as a theoretical tool for reading Japanese popular movies and anime. </span></span>
606   $aMythology in motion pictures
606   $aMotion pictures$xSemiotics
606   $aMotion pictures$zJapan$xHistory and criticism
606   $aAnimated films$zJapan$xHistory and criticism
615  0$aMythology in motion pictures.
615  0$aMotion pictures$xSemiotics.
615  0$aMotion pictures$xHistory and criticism.
615  0$aAnimated films$xHistory and criticism.
676   $a791.43/615
700   $aOkuyama$b Yoshiko$01173181
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910817051803321
996   $aJapanese mythology in film$94126138
997   $aUNINA