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100   $a20180331d2003      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aActions of architecture $earchitects and creative users /$fJonathan Hill
210  1$aLondon ;$aNew York :$cRoutledge,$d2003.
215   $a1 online resource (213 p.)
300   $aDescription based upon print version of record.
311   $a0-415-29043-0 
311   $a0-415-29042-2 
320   $aIncludes bibliographical references (p. 202-217) and index.
327   $tThe reader/viewer/user's guide --$tThe role of the user --$tThe passive user --$tFrom the reactive user to the creative user --$tThe creative user --$tMontage after shock --$tThe montage of fragments --$tThe montage of gaps --$tThe institute of illegal architects --$tWeather architecture (Berlin1929-1930, Barcelona 1986-, Barcelona 1999-) --$tWhite on white --$tElectromagnetic weather  --$tThe subject is matter --$tTurning a wall in to a window.
330   $aDrawing on the work of a wide range of architects, artists and writers, this book considers the relations between the architect and the user, which it compares to the relations between the artist and viewer and the author and reader. The book's thesis is informed by the text 'The Death of the Author', in which Roland Barthes argues for a writer aware of the creativity of the reader. Actions of Architecture begins with a critique of strategies that define the user as passive and predictable, such as contemplation and functionalism. Subsequently it considers how an awareness of 
606   $aArchitects$xPublic relations
606   $aArchitects and patrons
606   $aCommunication in architectural design
615  0$aArchitects$xPublic relations.
615  0$aArchitects and patrons.
615  0$aCommunication in architectural design.
676   $a721/.068/8
700   $aHill$b Jonathan$f1958,$01683429
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910817022703321
996   $aActions of architecture$94054152
997   $aUNINA