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200 00$aAgee at 100$b[electronic resource] $ecentennial essays on the works of James Agee /$fedited by Michael A. Lofaro
205   $a1st ed.
210   $aKnoxville $cUniversity of Tennessee Press$dc2012
215   $a1 online resource (321 p.)
300   $aDescription based upon print version of record.
311   $a1-57233-853-9 
320   $aIncludes bibliographical references and index.
327   $aContents; Preface; Acknowledgments; A James Agee Chronology; Why Agee Matters - Dwight Garner; Agee on Books - Paul Ashdown; James Agee and the Culture of Repudiation - Jeffrey J. Folks; Racial Violence, Receding Bodies: James Agee's Anatomy of Guilt - James A. Crank; A Continuous Center: Centripetal and Centrifugal Tendencies in Let Us Now Praise Famous Men - Andrew Crooke; A Blind Work of Nature: The Ethics of Representing Beauty in Let Us Now Praise Famous Men - Jesse Graves; James Agee's A Death in the Family: Personal Identity and Conflict in an Emerging Appalachia - Michael A. Lofaro
327   $aMaximum Simple: The Restored Text of A Death in the Family - Philip StogdonWriting The African Queen: Variations on a Classic Film - Jeffrey Couchman; The Makers of In the Street and The Quiet One - John Wranovics; James Agee's Experimentally Traditional Mr. Lincoln - Jeffrey Couchman; Agee and the Filipino Epic Genghis Khan: A Personal Journey - John Wranovics; Seeing Agee in Lincoln: A Short Story - David Madden; Contributors; Index
330   $aDrawn mainly from the centennial anniversary symposium on James Agee  held at the University of Tennessee in the fall of 2009, the essays of Agee at 100  are as diverse in topic and purpose as is Agee's work itself. Often  devalued during his life by those who thought his breadth a hindrance to  greatness, Agee's achievements as a poet, novelist, journalist,  essayist, critic, documentarian, and screenwriter are now more fully  recognized. With its use of previously unknown and recently recovered  materials as well as established works, this groundbreaking new  collection is a t
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