LEADER 02218nam 2200529 450 001 9910816969703321 005 20230126213441.0 010 $a1-4438-8131-7 035 $a(CKB)3710000000473514 035 $a(EBL)4534685 035 $a(Au-PeEL)EBL4534685 035 $a(CaPaEBR)ebr11215708 035 $a(CaONFJC)MIL830913 035 $a(OCoLC)921217008 035 $a(MiAaPQ)EBC4534685 035 $a(EXLCZ)993710000000473514 100 $a20160623h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$a'Disciples of flora' $egardens in history and culture /$fedited by Victoria Emma Paga?n, Judith W. Page and Brigitte Weltman-Aron 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015. 210 4$dİ2015 215 $a1 online resource (205 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-7756-5 320 $aIncludes bibliographical references at the end of each chapters and index. 330 $a'Disciples of Flora' explores, through a variety of approaches, disciplines, and historical periods, the place and vitality of gardens as cultural objects, repositories of meaning, and sites for the construction of identity and subjectivity; gardens being an eminent locus where culture and nature meet. This collection of essays contributes to a revision of histories of gardens by broadening the scope of scholarly inquiry to include a long history from ancient Rome to the present, in which contesting memories delineate new apprehensions of topography and space. The contributors draw attention t 606 $aGardens$xHistory 606 $aGardens in art 606 $aGardens$xSocial aspects 615 0$aGardens$xHistory. 615 0$aGardens in art. 615 0$aGardens$xSocial aspects. 676 $a712.09 702 $aPaga?n$b Victoria Emma 702 $aPage$b Judith W. 702 $aWeltman-Aron$b Brigitte 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910816969703321 996 $aDisciples of flora$93975350 997 $aUNINA LEADER 03965nam 2200721Ia 450 001 9910650354603321 005 20200520144314.0 010 $a9780791478448 010 $a0791478440 010 $a9781435643680 010 $a1435643682 024 7 $a10.1515/9780791478448 035 $a(CKB)1000000000488184 035 $a(OCoLC)228856485 035 $a(CaPaEBR)ebrary10575982 035 $a(SSID)ssj0000157327 035 $a(PQKBManifestationID)11946883 035 $a(PQKBTitleCode)TC0000157327 035 $a(PQKBWorkID)10131693 035 $a(PQKB)11529632 035 $a(Au-PeEL)EBL3407555 035 $a(CaPaEBR)ebr10575982 035 $a(MiAaPQ)EBC3407555 035 $a(OCoLC)429640189 035 $a(DE-B1597)681975 035 $a(DE-B1597)9780791478448 035 $a(Perlego)2673916 035 $a(EXLCZ)991000000000488184 100 $a20070725d2008 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFort Stanwix National Monument $ereconstructing the past and partnering for the future /$fJoan M. Zenzen 210 $aAlbany $cState University of New York Press$dc2008 215 $a1 online resource (312 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9780791474334 311 08$a079147433X 320 $aIncludes bibliographical references (p. [235]-291) and index. 327 $aLuzader, J.F. Construction and military history.--Torres, L. Historic furnishing study.--Carroll, O.W. Historic structure report. 330 $aThis book looks at the history of Fort Stanwix and documents how the people of Rome, New York, partnered with the National Park Service to create Fort Stanwix National Monument, a reconstructed log-and-sod Revolutionary War fort located in the center of the city. Initially undertaken as part of Rome's urban renewal effort to revive a failing economy through tourism, the fort's reconstruction exemplifies how a regional interest successfully engaged the National Park Service in achieving its goals.Using extensive documentation and oral history interviews, historian Joan M. Zenzen examines the full sweep of the site's history by looking back at the 1777 siege that helped turn the tide at Saratoga, describing political commemorations during the turn of the twentieth century, detailing events leading to urban renewal and fort reconstruction in the 1970s, and explaining how the park's superintendents have managed this fort. She also discusses four important themes in historic preservation?authenticity, reconstruction, reenactment, and memory?to understand the processes that resulted in the establishment of Fort Stanwix National Monument. Tied to these themes is the idea of partnerships, a key ingredient that has kept the national park site engaged with such local communities as Rome businesses, Oneida Six Nations, New York State historic sites, regional tourism boards, and reenactment groups. 606 $aHistoric buildings$xConservation and restoration$zNew York (State)$zRome 606 $aFortification$xConservation and restoration$zNew York (State)$zRome 606 $aHistoric preservation$zNew York (State)$zRome 607 $aFort Stanwix National Monument (Rome, N.Y.) 607 $aFort Stanwix National Monument (Rome, N.Y.)$xHistory 607 $aRome (N.Y.)$xBuildings, structures, etc 607 $aFort Stanwix (Rome, N.Y.)$xSiege, 1777 615 0$aHistoric buildings$xConservation and restoration 615 0$aFortification$xConservation and restoration 615 0$aHistoric preservation 676 $a974.7/62 700 $aZenzen$b Joan M$01099476 712 02$aNorth Atlantic Historic Preservation Center (U.S.) 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910650354603321 996 $aFort Stanwix National Monument$94189924 997 $aUNINA