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135   $aur|n|---|||||
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200 10$aDigital art and meaning $ereading kinetic poetry, text machines, mapping art, and interactive installations /$fRoberto Simanowski
205   $a1st ed.
210   $aMinneapolis $cUniversity of Minnesota Press$d2011
215   $a1 online resource (328 p.)
225 1 $aElectronic mediations ;$vv. 35
300   $aDescription based upon print version of record.
311   $a0-8166-6738-1 
311   $a0-8166-6737-3 
320   $aIncludes bibliographical references and index.
327   $aIntroduction : close reading -- Digital literature -- Kinetic concrete poetry -- Text machines -- Interactive installations -- Mapping art -- Real-time Web sculpture -- Epilogue : code, interpretation, avant-garde.
330   $aIn a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done. ""Digital Art and Meaning"" offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installatio
410  0$aElectronic mediations ;$vv. 35.
606   $aComputer art
606   $aInteractive art
615  0$aComputer art
615  0$aInteractive art.
676   $a776
700   $aSimanowski$b Roberto$01093408
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910816941603321
996   $aDigital art and meaning$94047599
997   $aUNINA