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200 10$aSouth American cinematic culture $epolicy, production, distribution and exhibition /$fby Miriam Ross
205   $a1st ed.
210   $aNewcastle upon Tyne $cCambridge Scholars$d2010
215   $a1 online resource (244 p.)
300   $aDescription based upon print version of record.
311 08$aPrint version: Ross, Miriam. South American cinematic culture : policy, production, distribution and exhibition Newcastle upon Tyne : Cambridge Scholars, 2010. (OCoLC)688970306 1-4438-2483-6 
320   $aIncludes bibliographical references (p. [215]-232) and index.
320   $aIncludes filmography: p. [210]-214.
327   $aTABLE OF CONTENTS; ACKNOWLEDGEMENTS; ABBREVIATIONS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CONCLUSION; APPENDIX A; FILMOGRAPHY; BIBLIOGRAPHY; INDEX
330   $aThis study of South American cinema offers a new way of approaching the variety of films available in the region. It brings to light the interconnectivity between state-run institutions (film councils, cinemateques, archives) altruistic bodies (film festival funds, NGOs) and commercial organisations (production companies, exhibitors and distributors). Examples of filmmakers, policy initiatives, funding sources and alternative film networks combine to produce a rich overview of one of the most...
606   $aMotion pictures$zSouth America
606   $aMotion picture industry$zSouth America
615  0$aMotion pictures
615  0$aMotion picture industry
676   $a791.43098
700   $aRoss$b Miriam$01689195
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910816898003321
996   $aSouth American cinematic culture$94064053
997   $aUNINA