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100   $a20230123d1996      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMusicage $eCage muses on words art music /$fJohn Cage ; Joan Retallack, editor
205   $a1st ed.
210  1$aMiddletown, Connecticut :$cWesleyan University Press,$d[1996]
210  4$dİ1996
215   $a1 online resource (411 p.)
300   $aIncludes index.
311   $a0-8195-5285-2 
320   $aIncludes index.
327   $aCover; Contents; List of Illustrations; Acknowledgments; Introduction: Conversations in Retrospect; I. WORDS; Art Is Either a Complaint or Do Something Else; Cage's Loft, New York City: September 6-7, 1990; II. VISUAL ART; Cage's Loft, New York City: October 21-23, 1991; III. MUSIC; Cage's Loft, New York City: July 15-17, 1992; July 18, 1992; July 30, 1992; Appendixes; A. Selected Cage Computer Programs; B. Mesostic Introduction to The First Meeting of the Satie Society; C. Writing through Ulysses (Muoyce II). Typescript Page from Part 17 based on the ""Nighttown"" section of Ulysses
327   $aD. Excerpts from Manuscript and Score of Two[sup(6)] (1992)E. Notated Time Bracket Sheets for Thirteen (1992), Pages 14, 15, 16; F. Writing through Ulysses (Muoyce II), Part 5; G. IC Supply Sheet Marked by Cage with Red, Blue, and Black Pencils; H. Excerpts from Score for Europera 5; I. Europera 5 at MOMA; J. Letter Outlining Plans for Noh-opera; K. Notated Time Bracket Sheets for 58 (1992), Pages 2 and 4; L. Project for Hanau Squatters; M. First Page of One[sup(8)] (1991); N. First Page of Ten (1991), Violin 1; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y
327   $aZ
330   $aThe entire range of John Cage's work and thought, explored in three wide-ranging dialogues, which constitute his last unified statement on his art.
606   $aComposers$zUnited States$vInterviews
615  0$aComposers
676   $a780.92
700   $aCage$b John$0350
702   $aRetallack$b Joan
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801  1$bMiAaPQ
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