LEADER 04440nam 2200685Ia 450 001 9910816837603321 005 20200520144314.0 010 $a90-04-25384-X 024 7 $a10.1163/9789004253841 035 $a(CKB)2670000000395251 035 $a(EBL)1342589 035 $a(OCoLC)858762221 035 $a(SSID)ssj0000976665 035 $a(PQKBManifestationID)11543628 035 $a(PQKBTitleCode)TC0000976665 035 $a(PQKBWorkID)11035507 035 $a(PQKB)10476664 035 $a(MiAaPQ)EBC1342589 035 $a(nllekb)BRILL9789004253841 035 $a(Au-PeEL)EBL1342589 035 $a(CaPaEBR)ebr10745971 035 $a(CaONFJC)MIL510289 035 $a(PPN)18493074X 035 $a(EXLCZ)992670000000395251 100 $a20090730d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSrikandhi dances lnggr $ea performance of music and shadow theater /$fRene T.A. Lysloff 205 $a1st ed. 210 $aLeiden $cKITLV Press$d2009 215 $a1 online resource (583 p.) 225 0$aVerhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde,$x1572-1892 ;$v248 300 $aDescription based upon print version of record. 311 $a90-6718-298-2 320 $aIncludes bibliographical references (p. 549-558) and index. 327 $tPreliminary Material /$rRené T.A. Lysloff -- $tCultural universals and local traditions /$rRené T.A. Lysloff -- $tShadow theater as a cultural institution /$rRené T.A. Lysloff -- $tThe temporal organization of wayang kulit /$rRené T.A. Lysloff -- $tWayang temporalities /$rRené T.A. Lysloff -- $tSugino and his audience /$rRené T.A. Lysloff -- $tMusic and intra-cultural difference /$rRené T.A. Lysloff -- $tSynopsis /$rRené T.A. Lysloff -- $tAct 1: Pathet nem /$rRené T.A. Lysloff -- $tInterlude: Gara-gara /$rRené T.A. Lysloff -- $tAct 2: Pathet sanga /$rRené T.A. Lysloff -- $tAct 3: Pathet manyura /$rRené T.A. Lysloff -- $tAppendices /$rRené T.A. Lysloff -- $tBibliography /$rRené T.A. Lysloff -- $tIndex /$rRené T.A. Lysloff. 330 $aThe book is structured around the translation of a Javanese shadow theater performance entitled Srikandhi Mbarang Lènggèr (?Srikandhi Becomes an Itinerant Dancer? or ?Srikandhi Dances Lènggèr?), performed only in the Banyumas region (in west Central Java) by the locally renowned puppeteer, Ki Sugino Siswocarito. This study is a translation of the story both in a strict textual-linguistic sense and in a more general interpretive sense, providing an understanding of what the performance means to its Banyumas audience. More important, it shows how the puppeteer transforms the culturally universal traditions of Javanese ritual, shadow-puppet theater, and music to particularize the entire performance event for a local audience. The book is three things: a major conceptual study that develops, advocates, and applies an interdisciplinary approach to the analysis of the performance process, an important secondary source on rural Javanese culture and arts (most works on Java focus on the court centers), and a useful primary source on wayang theater?since it includes the Javanese text and English translation of a complete story with music transcriptions provided in an appendix. The Javanese texts and their English translations are laid out side by side to facilitate reading while listening to the audio recording on the enclosed dvd. The book contains twenty-five beautifully rendered illustrations of Banyumas-style wayang puppets (major characters in the story) by two Javanese artists. 410 0$aVerhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde$v248. 517 1 $aSrikandhi dances lnggr :$ea performance of music and shadow theater in Central Java 606 $aWayang 606 $aWayang plays 606 $aMusic$zIndonesia$zBanyumas (Kabupaten)$xHistory and criticism 606 $aGamelan music 615 0$aWayang. 615 0$aWayang plays. 615 0$aMusic$xHistory and criticism. 615 0$aGamelan music. 676 $a899.2222 700 $aLysloff$b Rene T. A$01699859 701 2$aSugino$cKi.$01699860 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910816837603321 996 $aSrikandhi dances lnggr$94082422 997 $aUNINA