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035   $a(OCoLC)782865383
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100   $a19931209e20231992  uy         |
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe rise of gospel blues $ethe music of Thomas Andrew Dorsey in the urban church /$fMichael W. Harris$b[electronic resource]
210  1$aNew York ;$cOxford University Press,$d2023.
215   $a1 online resource (630 p.)
225 1 $aOxford scholarship online
300   $aPreviously issued in print: 1992.
311   $a0-19-506376-7 
311   $a0-19-509057-8 
320   $aIncludes bibliographical references (pages 273-316) and index.
327   $aCover Page; Title Page; Copyright Page; Dedication; Acknowledgments; Contents; List of Music Examples; Introduction; 1 Religion and Blackness in Rural Georgia: 1899-1908; 2 Music, Literacy, and Society in Atlanta: 1910-1916; 3 Blues-From "Lowdown" to "Jass": 1921-1923; 4 Blues-From "Jass" to "Lowdown": 1924-1928; 5 Old-Line Religion and Musicians: 1920-1930; 6 Old-Line Religion and Urban Migrants: 1920-1930; 7 Preachers and Bluesmen: 1928-1931; 8 The Emergence of Gospel Blues: 1931-1932; 9 Giving the Gospel a Blues Voice: 1932; 10 A Place for Gospel Blues in Old-Line Religion: 1932-1937
327   $aNotes Bibliography; Index
330 8 $aGospel blues, a blend of sacred texts and blues tunes, was first heard in the late 1930s in the black Protestant churches of the American mid-west and north-east. This text traces the origins and development of gospel music as seen through the career of its founding father, Rev Thomas Dorsey.
410  0$aOxford scholarship online.
606   $aGospel music$xHistory and criticism
615  0$aGospel music$xHistory and criticism.
676   $a782.25
700   $aHarris$b Michael W.$066777
801  0$bUk
801  1$bUk
801  2$bStDuBDSZ
801  2$bStDuBDSZ
906   $aBOOK
912   $a9910816820703321
996   $aThe rise of gospel blues$94084535
997   $aUNINA