LEADER 02888nam  2200613Ia 450 
001 9910816771503321
005 20200520144314.0
010   $a1-136-52115-1
010   $a1-136-52116-X
010   $a0-203-15321-9
024 7 $a10.4324/9780203153215
035   $a(CKB)2550000000097788
035   $a(EBL)958044
035   $a(OCoLC)798531913
035   $a(SSID)ssj0000623249
035   $a(PQKBManifestationID)11389595
035   $a(PQKBTitleCode)TC0000623249
035   $a(PQKBWorkID)10647278
035   $a(PQKB)11181431
035   $a(MiAaPQ)EBC958044
035   $a(Au-PeEL)EBL958044
035   $a(CaPaEBR)ebr10542267
035   $a(CaONFJC)MIL761304
035   $a(OCoLC)783740343
035   $a(EXLCZ)992550000000097788
100   $a20110623d2012      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aPhotography $ehistory and theory /$fJae Emerling
205   $a1st ed.
210   $aAbingdon, Oxon ;$aNew York, NY $cRoutledge$d2012
215   $a1 online resource (287 p.)
300   $aDescription based upon print version of record.
311   $a0-415-77855-7 
311   $a0-415-77854-9 
320   $aIncludes bibliographical references and index.
327   $aFront Cover; Photography; Copyright Page; Contents; List of figures; Acknowledgments; Preface; Introduction; 1. The thing itself; Gloss on Walter Benjamin, "Little History of Photography" (1931); 2. Frame (matter and metaphor); Gloss on Roland Barthes, "The Rhetoric of the Image" (1964); 3. Documentary, or instants of truth; Gloss on Susan Sontag, Regarding the Pain of Others (2002); 4. The archive as producer; Gloss on Michel Foucault, The Archaeology of Knowledge (1969); 5. Time-images; Gloss on Vile?m Flusser, Towards a Philosophy of Photography (1983); Glossary; Notes; Bibliography; Index
330   $aPhotography: History and Theory introduces students to both the history of photography and critical theory.From its inception in the nineteenth century, photography has instigated a series of theoretical debates. In this new text, Jae Emerling therefore argues that the most insightful way to approach the histories of photography is to address simultaneously the key events of photographic history alongside the theoretical discourse that accompanied them.While the nineteenth century is discussed, the central focus of the text is on modern and contemporary photographic t
606   $aPhotographic criticism
606   $aPhotography, Artistic$xHistory
615  0$aPhotographic criticism.
615  0$aPhotography, Artistic$xHistory.
676   $a770.1
700   $aEmerling$b Jae$01642739
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910816771503321
996   $aPhotography$93987605
997   $aUNINA