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100   $a20150214d2015      uy|            0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aChina in the frame $ematerialising ideas of China in Italian museums /$fby Iside Carbone
205   $a1st ed.
210  1$aNewcastle upon Tyne, United Kingdom :$cCambridge Scholars Publishing,$d2015.
215   $a1 online resource (226 p.) 
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a1-322-60786-9 
311   $a1-4438-7071-4 
320   $aIncludes bibliographical references and index.
327   $aIntro -- TABLE OF CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- CHAPTER ONE -- CHAPTER TWO -- CHAPTER THREE -- CHAPTER FOUR -- CHAPTER FIVE -- CHAPTER SIX -- CONCLUSION -- NOTES -- BIBLIOGRAPHY -- INDEX.
330   $aMechanisms of representation of the cultural Other and their connections with processes of self-expression constitute the core of China in the Frame. This original ethnographic study of Chinese-themed displays of artworks in a selection of permanent and temporary exhibitions in Italy highlights specific forms of the materialisation of ideas of cultural identities. The Other represented by these displays is China, the identity of which is nowadays perceived by a wider western public, if not un.
606   $aArt, European$xChinese influences
606   $aChinoiserie (Art)$zEurope$vExhibitions
606   $aArt$xChinese influences
606   $aPainting, Chinese$vExhibitions
606   $aAesthetics, Chinese
606   $aChinoiserie (Art)$vExhibitions
615  0$aArt, European$xChinese influences.
615  0$aChinoiserie (Art)
615  0$aArt$xChinese influences.
615  0$aPainting, Chinese
615  0$aAesthetics, Chinese.
615  0$aChinoiserie (Art)
700   $aCarbone$b Iside$01698158
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910816718403321
996   $aChina in the frame$94079435
997   $aUNINA