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200 14$aThe doppelga?nger $eliterature's philosophy /$fDimitris Vardoulakis
205   $a1st ed.
210   $aNew York $cFordham University Press$dc2010
215   $a1 online resource (344 p.)
225 1 $aModern Language Initiative
300   $aDescription based upon print version of record.
311   $a0-8232-3299-9 
311   $a0-8232-3298-0 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter -- $tContents -- $tPreface -- $tPreamble, or An Other Opening -- $tIntroduction, or The Reflections of the Doppelgänger -- $tChapter One. The Critique of Loneliness -- $tChapter Two. The Subject of Modernity -- $tChapter Three. The Task of the Doppelgänger -- $tChapter Four. The Politics of the Doppelgänger -- $tChapter Five. Self-Inscriptions -- $tNotes -- $tBibliography -- $tIndex 
330   $aThe Doppelgänger or Double presents literature as the "double" of philosophy. There are historical reasons for this. The genesis of the Doppelgänger is literature's response to the philosophical focus on subjectivity. The Doppelgänger was coined by the German author Jean Paul in 1796 as a critique of Idealism's assertion of subjective autonomy, individuality and human agency. This critique prefigures post-War extrapolations of the subject as decentred. From this perspective, the Doppelgänger has a "family resemblance" to current conceptualizations of subjectivity. It becomes the emblematic subject of modernity. This is the first significant study on the Doppelgänger's influence on philosophical thought. The Doppelgänger emerges as a hidden and unexplored element both in conceptions of subjectivity and in philosophy's relation to literature. Vardoulakis demonstrates this by employing the Doppelgänger to read literature philosophically and to read philosophy as literature. The Doppelgänger then appears instrumental in the self-conception of both literature and philosophy.
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606   $aPhilosophy
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615  0$aPhilosophy.
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