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100   $a20061116d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe ABCs of classic Hollywood$b[electronic resource] /$fRobert B. Ray
210   $aOxford ;$aNew York $cOxford University Press$d2008
215   $a1 online resource (423 p.)
300   $aDescription based upon print version of record.
311   $a0-19-532291-6 
311   $a0-19-532292-4 
320   $aIncludes bibliographical references (p. [329]-355) and index.
327   $aCover; Contents; Introduction; Grand Hotel; The Philadelphia Story; The Maltese Falcon; Meet Me in St. Louis; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z
330   $aSpeaking about the kind of filmmaking now known as Classic Hollywood, the most popular and influential cinema ever invented, Vincente Minnelli once gave away its secret: ""I feel that a picture that stays with you is made up of a hundred or more hidden things. They're things that the audience is not conscious of, but that accumulate."" What are those hidden things? Can we invent a method that will enable us to discover them? Robert Ray attempts to answer those questions by looking closely at four movies from the 1930-1945 period when the American studio system reached the peak of its economic 
606   $aMotion pictures$zUnited States
606   $aPerforming arts$zUnited States
615  0$aMotion pictures
615  0$aPerforming arts
676   $a791.430973
700   $aRay$b Robert B$g(Robert Beverley),$f1943-$01626529
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906   $aBOOK
912   $a9910816682103321
996   $aThe ABCs of classic Hollywood$94125871
997   $aUNINA