LEADER 05438nam 2200697Ia 450 001 9910816648603321 005 20200520144314.0 010 $a1-281-96042-X 010 $a9786611960421 010 $a3-7643-8287-2 024 7 $a10.1515/9783764382872 035 $a(CKB)1000000000546224 035 $a(EBL)1038144 035 $a(SSID)ssj0000261725 035 $a(PQKBManifestationID)11203446 035 $a(PQKBTitleCode)TC0000261725 035 $a(PQKBWorkID)10257218 035 $a(PQKB)10021090 035 $a(MiAaPQ)EBC3063990 035 $a(DE-B1597)206123 035 $a(OCoLC)979596281 035 $a(DE-B1597)9783764382872 035 $a(MiAaPQ)EBC1038144 035 $a(Au-PeEL)EBL3063990 035 $a(CaPaEBR)ebr10284335 035 $a(CaONFJC)MIL196042 035 $a(OCoLC)311507858 035 $a(Au-PeEL)EBL1038144 035 $a(OCoLC)858228711 035 $a(EXLCZ)991000000000546224 100 $a20070203d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTransparent plastics $edesign and technology /$fSimone Jeska 205 $a1st ed. 210 $aBasel ;$aBoston $cBirkhauser$dc2008 215 $a1 online resource (160 p.) 300 $aDescription based upon print version of record. 311 $a3-7643-7470-5 320 $aIncludes bibliographical references (p. 154-155) and index. 327 $t Frontmatter -- $tContents -- $tPreface -- $tA Brief History of Plastic Buildings -- $tMaterial and Form - "Form Follows Material?" -- $tTransparent Plastics between Intellectualisation and Trash Culture -- $tExhibition -- $tBMW Bubble / $rAbb Architects / Franken, Bernhard -- $tEBO Bologna / $rMario Cucinella Architects -- $t»Light Building« Mobile Pavilion / $rAtelier Kempe Thill -- $tCyclebowl / $rAtelier Brückner -- $tResidences -- $tApartments and Studios in Cologne / $rB & K+ -- $tNaked House / $rBan, Shigeru -- $tLucky Drops / $rTekuto Architecture Studio -- $tHousing Project in London / $rSakula, Ash -- $tCité Manifeste / $rLacaton & Vassal -- $tHouse And Studio in Almere / $rArconiko -- $tSemi-Detached Houses in Müllheim / $rPfeifer.Kuhn -- $tCulture and Sports -- $tMuseum of Paper Art / $rBan, Shigeru -- $tCatholic Church of Jesus Christ the King, Radebeul / $rStaib Architects / Behnisch, Günter -- $tDBU Conference and Exhibition Pavilion / $rHerzog + Partner -- $tAllianz Arena / $rHerzog & De Meuron -- $tResearch -- $tGerontology Technology Centre, Bad Tölz / $rSiegert, D. J. -- $tRocket Tower / $rNicholas Grimshaw & Partners -- $tFesto AG Technology Centre / $rJaschek & Partner -- $tGlasshouses, Graz / $rGiencke, Volker -- $tAppendix -- $tBibliography -- $tIndex -- $tAcknowledgments -- $tIllustration Credits -- $t Backmatter 330 $aRecent years have seen the construction of buildings made of plastic, structures that are as attractive as they are unusual. After initial experiments in the 1970s, plastic is currently experiencing a tremendous boom. Originally used for temporary structures like the BMW Pavilion in Frankfurt, it is now employed in many permanent buildings as well, including the recent Catholic church in Radebeul by Staib/Behnisch. Prominent international avant-garde architects such as Shigeru Ban and Herzog & de Meuron frequently use transparent plastic for their structures. Transparent plastic seems ephemeral and thus captures the spirit of the times. Its various qualities between transparent and translucent make it possible to achieve fascinating effects with light and color. Projects presented include the Allianz Arena in Munich by Herzog & de Meuron, the Rocket Tower in Leicester by Grimshaw & Partners, the Paper Art Museum by Shigeru Ban in Shizuoka, Japan, and the public housing development Cité Manifeste in Mulhouse by Lacaton Vassal. Seit einigen Jahren entstehen ebenso attraktive wie ungewöhnliche Bauten aus Kunststoff. Nach ersten Versuchen in den 1970er Jahren erlebt der Baustoff derzeit einen ungeheuren Boom. Zunächst für temporäre Bauten wie dem BMW Pavillon in Frankfurt genutzt, entstehen mittlerweile auch zahlreiche bleibende Gebäude (wie kürzlich die Katholische Kirche von Staib/Behnisch in Radebeul). Bekannte Architekten der internationalen Avantgarde wie Shigeru Ban oder Herzog & de Meuron verwenden gerne transparenten Kunststoff für ihre Bauten. Das Material scheint ephemer, transitorisch (ohne es zu sein) und trifft damit den Nerv der heutigen Zeit. Seine unterschiedlichen Qualitäten zwischen transparent und transluzent erlauben faszinierende Licht- und Farbeffekte. Zu den dargestellten Projekten gehören die Allianz-Arena in München von Herzog & de Meuron, der Rocket-Tower in Leicester von Grimshaw & Partner, das Papiermuseum von Shigeru Ban in Shizuoka, Japan, und der soziale Wohnungsbau der Cité Manifeste in Mulhouse von Lacaton Vassal. 606 $aPlastics in building 606 $aTransparency in architecture 606 $aBuildings, Plastic 615 0$aPlastics in building. 615 0$aTransparency in architecture. 615 0$aBuildings, Plastic. 676 $a721.0449923 676 $a721/.0449923 700 $aJeska$b Simone$01047712 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910816648603321 996 $aTransparent plastics$93936885 997 $aUNINA