LEADER 02387nam  2200553Ia 450 
001 9910816644403321
005 20200520144314.0
010   $a9956-616-21-4
035   $a(CKB)2520000000009914
035   $a(OCoLC)647885342
035   $a(CaPaEBR)ebrary10370264
035   $a(SSID)ssj0000483161
035   $a(PQKBManifestationID)11310852
035   $a(PQKBTitleCode)TC0000483161
035   $a(PQKBWorkID)10529115
035   $a(PQKB)11427145
035   $a(MiAaPQ)EBC3001523
035   $a(Au-PeEL)EBL3001523
035   $a(CaPaEBR)ebr10370264
035   $a(OCoLC)923563095
035   $a(MdBmJHUP)musev2_82906
035   $a(EXLCZ)992520000000009914
100   $a20100126d2010      my         d
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aCall of blood /$fJohn Nkemngong Nkengasong
205   $a1st ed.
210   $aManko, Bamenda $cLangaa Research & Pub.$dc2010
215   $a1 online resource (70 p.)
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a9956-716-81-2 
311   $a9956-616-11-7 
327   $aFront Cover -- Title Page -- Copy Right Page -- Contents -- The Characters -- Act One -- Act Two -- Act Three.
330 8 $aAnnotation$bEfenze, the President of the Board of Directors of government companies and a member of the Central Committee of the Ruling Party, eliminates his erstwhile business contractor, Sancheu, with the complicity of the latter's wife. His aim is to inherit Sancheu's widow and wealth and to forge his way into the Political Bureau of the Party. The Call of Blood is a dramatization of evil in its multifaceted dimensions including treachery, infidelity, greed, hypocrisy, double-crossing and vaulting ambition in a postcolonial society where those who wield political and financial power thrive or perish by their involvement in obscure schemes. The play is enriched by a great sense of dramatic economy and poetic style evident in the preponderant use of local imagery.
606   $aTheater$zCameroon
606   $aDomestic drama
615  0$aTheater
615  0$aDomestic drama.
700   $aNkengasong$b John Nkemngong$01605763
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910816644403321
996   $aCall of blood$94201169
997   $aUNINA