LEADER 02444nam 2200553Ia 450 001 9910816625503321 005 20200520144314.0 010 $a0-8214-4365-8 035 $a(CKB)2670000000079731 035 $a(EBL)1743686 035 $a(OCoLC)710814278 035 $a(SSID)ssj0000467683 035 $a(PQKBManifestationID)11284453 035 $a(PQKBTitleCode)TC0000467683 035 $a(PQKBWorkID)10490297 035 $a(PQKB)10659600 035 $a(MiAaPQ)EBC1743686 035 $a(MdBmJHUP)muse2863 035 $a(Au-PeEL)EBL1743686 035 $a(CaPaEBR)ebr10449991 035 $a(EXLCZ)992670000000079731 100 $a20101025d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCinematic Hamlet $ethe films of Olivier, Zeffirelli, Branagh, and Almereyda /$fPatrick J. Cook 205 $a1st ed. 210 $aAthens $cOhio University Press$dc2011 215 $a1 online resource (265 p.) 300 $aDescription based upon print version of record. 311 $a0-8214-1944-7 320 $aIncludes bibliographical references and index. 320 $aIncludes filmography. 327 $aIntroduction -- Laurence Olivier's Hamlet: the triumph of the cinesthetic -- Franco zeffirelli's Hamlet: modernizing medievalism -- Kenneth Branagh's Hamlet: the challenges of the full-text screenplay -- Michael Almereyda's Hamlet: uncanny imagination. 330 $aHamlet has inspired four outstanding film adaptations that continue to delighta wide and varied audience and to offer provocative new interpretationsof Shakespeare's most popular play. Cinematic Hamlet contains the first scene-by-scene analysis of the methods used by Laurence Olivier, Franco Zeffirelli, Kenneth Branagh, and Michael Almereyda to translate Hamlet into highly distinctive and remarkably effective films. Applying recent developments in neuroscience and psychology,Patrick J. Cook argues that film is a medium deploying an abundance of devices whose task it is to direct attention aw 606 $aHamlet (Legendary character)$vDrama 615 0$aHamlet (Legendary character) 676 $a791.43/6 676 $a791.436 700 $aCook$b Patrick J.$f1951-$01618257 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910816625503321 996 $aCinematic Hamlet$93949887 997 $aUNINA