LEADER 03761oam 2200685 a 450 001 9910816593903321 005 20240123173507.0 010 $a1-283-13597-3 010 $a9786613135971 010 $a0-231-51919-2 024 7 $a10.7312/sing14718 035 $a(CKB)2550000000036487 035 $a(EBL)908619 035 $a(OCoLC)750192369 035 $a(SSID)ssj0000537165 035 $a(PQKBManifestationID)12251882 035 $a(PQKBTitleCode)TC0000537165 035 $a(PQKBWorkID)10550702 035 $a(PQKB)10853762 035 $a(DE-B1597)459337 035 $a(OCoLC)741453648 035 $a(OCoLC)979751600 035 $a(DE-B1597)9780231519199 035 $a(Au-PeEL)EBL908619 035 $a(CaPaEBR)ebr10472071 035 $a(CaONFJC)MIL313597 035 $a(MiAaPQ)EBC908619 035 $a(EXLCZ)992550000000036487 100 $a20100407d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGlobalized arts $ethe entertainment economy and cultural identity /$fJ.P. Singh 210 1$aNew York :$cColumbia University,$d2011. 215 $a1 online resource (xxv, 208 pages) $cillustrations 300 $aDescription based upon print version of record. 311 0 $a0-231-14719-8 311 0 $a0-231-14718-X 320 $aIncludes bibliographical references and index. 327 $aIntroduction. The creative voice and cultural identity -- Cultural politics and global anxieties -- Value, markets, patronage -- Culture wars -- UNESCO and the Europeans -- Cultural patrons in the developing world -- Culture by any other name -- The creative voice and cultural policy. 330 $aOur interactive world can take a creative product, such as a Hollywood film, Bollywood song, or Latin American telenovela, and transform it into a source of cultural anxiety. What does this artwork say about the artist or the world she works in? How will these artworks evolve in the global market? Film, music, television, and the performing arts enter the same networks of exchange as other industries, and the anxiety they produce informs a fascinating area of study for art, culture, and global politics.Focusing on the confrontation between global politics and symbolic creative expression, J. P. Singh shows how, by integrating themselves into international markets, entertainment industries give rise to far-reaching cultural anxieties and politics. With examples from Hollywood, Bollywood, French grand opera, Latin American television, West African music, postcolonial literature, and even the Thai sex trade, Singh cites not only the attempt to address cultural discomfort but also the effort to deny entertainment acts as cultural. He connects creative expression to clashes between national identities, and he details the effect of cultural policies, such as institutional patronage and economic incentives, on the making and incorporation of art into the global market. Ultimately, Singh shows how these issues affect the debates on cultural trade being waged by the World Trade Organization, UNESCO, and the developing world. 606 $aArts and globalization 606 $aCulture and globalization 606 $aArts$xPolitical aspects 606 $aArts$xEconomic aspects 615 0$aArts and globalization. 615 0$aCulture and globalization. 615 0$aArts$xPolitical aspects. 615 0$aArts$xEconomic aspects. 676 $a306.4/7 700 $aSingh$b J. P.$f1961-$0925754 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910816593903321 996 $aGlobalized arts$94100818 997 $aUNINA