LEADER 04137nam 2200781 450 001 9910816520203321 005 20220207165545.0 010 $a0-252-09808-0 035 $a(CKB)3710000000587238 035 $a(EBL)4443560 035 $a(SSID)ssj0001629976 035 $a(PQKBManifestationID)16376451 035 $a(PQKBTitleCode)TC0001629976 035 $a(PQKBWorkID)14942415 035 $a(PQKB)11708684 035 $a(MiAaPQ)EBC4443560 035 $a(StDuBDS)EDZ0001642916 035 $a(OCoLC)937392318 035 $a(MdBmJHUP)muse52037 035 $a(Au-PeEL)EBL4443560 035 $a(CaPaEBR)ebr11222508 035 $a(CaONFJC)MIL895227 035 $a(EXLCZ)993710000000587238 100 $a20160711h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPainting the gospel $eblack public art and religion in Chicago /$fKymberly N. Pinder 210 1$aUrbana, [Illinois] ;$aChicago, [Illinois] ;$aSpringfield, [Illinois] :$cUniversity of Illinois Press,$d2016. 210 4$dİ2016 215 $a1 online resource (221 p.) 225 1 $aThe New Black Studies Series 300 $aIncludes index. 311 $a0-252-08143-9 311 $a0-252-03992-0 320 $aIncludes bibliographical references and index. 327 $aIntroduction : visualizing Christ our redeemer, man our brother -- 1. Painting the Gospel blues : race, empathy, and religion at Pilgrim Baptist Church -- 2. Come unto me all ye that labour and are heavy laden : First Church of Deliverance and its media ministry -- 3. Black liberation theology, black power, and the black arts movement at Trinity United Church of Christ -- 4. Father Tolton's soldiers : black imagery in three Catholic churches -- 5. Urban street faith : murals, t-shirts, and devout graffiti -- Conclusion : where the black Christ suffers and the politics of black tragic space in Chicago -- Appendix I. Tours and maps -- Appendix II. Daily scripture emails from Saint Sabina -- Appendix III. Explanations for scenes in mural at Holy Angels Catholic Church. 330 $aInnovative and lavishly illustrated, Painting the Gospel offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N. Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, Pinder explores ideas like blackness in public, art for black communities, and the relationship of Afrocentric art to Black Liberation Theology. She also focuses attention on art excluded from scholarship due to racial or religious particularity. Throughout, she reflects on the myriad ways private black identities assert public and political goals through imagery. Painting the Gospel includes maps and tour itineraries that allow readers to make conceptual, historical, and geographical connections among the works. 410 0$aNew Black studies series. 606 $aAfrican Americans in art 606 $aPublic art$zIllinois$zChicago 606 $aAfrican American art$zIllinois$zChicago 606 $aChristian art and symbolism$zIllinois$zChicago 606 $aChristianity and culture$zIllinois$zChicago 606 $aAfrican American churches$zIllinois$zChicago 606 $aBlack people in art 606 $aRace in art 606 $aAfrocentrism 615 0$aAfrican Americans in art. 615 0$aPublic art 615 0$aAfrican American art 615 0$aChristian art and symbolism 615 0$aChristianity and culture 615 0$aAfrican American churches 615 0$aBlack people in art. 615 0$aRace in art. 615 0$aAfrocentrism. 676 $a700 700 $aPinder$b Kymberly N.$01670268 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910816520203321 996 $aPainting the gospel$94032019 997 $aUNINA