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100   $a20090319d2009      ub         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe beat! $ego-go music from Washington, D.C. /$fKip Lornell and Charles C. Stephenson, Jr
205   $aUpdated and rev. new ed.
210   $aJackson $cUniversity Press of Mississippi$d2009
215   $a1 online resource (324 p.)
225 1 $aAmerican made music series
300   $aDescription based upon print version of record.
311   $a1-60473-241-5 
320   $aIncludes bibliographical references (p. [271]-276) and index.
327   $aThe roots and emergence of go-go -- Going to a go-go -- Band profiles -- Communities -- Entrepreneurs -- The media -- Go-go on film.
330   $aThe Beat! was the first book to explore the musical, social, and cultural phenomenon of go-go music. In this new edition, updated by a substantial chapter on the current scene, authors Kip Lornell and Charles C. Stephenson, Jr., place go-go within black popular music made since the middle 1970s--a period during which hip-hop has predominated. This styling reflects the District's African American heritage. Its super-charged drumming and vocal combinations of hip-hop, funk, and soul evolved and still thrive on the streets of Washington, D.C., and in neighboring Prince George's County, making it 
410  0$aAmerican made music series.
606   $aGo-go (Music)$zWashington (D.C.)$xHistory and criticism
606   $aAfrican Americans$zWashington (D.C.)$xSocial life and customs$y20th century
606   $aAfrican Americans$zWashington (D.C.)$xSocial life and customs$y21st century
615  0$aGo-go (Music)$xHistory and criticism.
615  0$aAfrican Americans$xSocial life and customs
615  0$aAfrican Americans$xSocial life and customs
676   $a781.64089/960730753
700   $aLornell$b Kip$f1953-$01640514
701   $aStephenson$b Charles C$01640515
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906   $aBOOK
912   $a9910816516803321
996   $aThe beat$93984099
997   $aUNINA