LEADER 07058nam 2200817 a 450 001 9910816467803321 005 20200520144314.0 010 $a1-282-60140-7 010 $a9786612601408 010 $a90-04-23661-9 010 $a90-474-2237-6 024 7 $a10.1163/ej.9789004186309.i-272 035 $a(CKB)2670000000012057 035 $a(EBL)489417 035 $a(OCoLC)705050666 035 $a(SSID)ssj0000334807 035 $a(PQKBManifestationID)11256942 035 $a(PQKBTitleCode)TC0000334807 035 $a(PQKBWorkID)10271981 035 $a(PQKB)10618472 035 $a(SSID)ssj0000502535 035 $a(PQKBManifestationID)11337395 035 $a(PQKBTitleCode)TC0000502535 035 $a(PQKBWorkID)10527038 035 $a(PQKB)10893156 035 $a(MiAaPQ)EBC489417 035 $a(MiAaPQ)EBC5024416 035 $a(nllekb)BRILL9789004236615 035 $a(Au-PeEL)EBL489417 035 $a(CaPaEBR)ebr10372662 035 $a(CaONFJC)MIL260140 035 $a(OCoLC)593295644 035 $a(PPN)170426319 035 $a(EXLCZ)992670000000012057 100 $a20070906d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aArab painting $etext and image in illustrated Arabic manuscripts /$fedited by Anna Contadini 205 $a[2nd rev. ed.]. 210 $aLeiden ;$aBoston $cBrill$d2007 215 $a1 online resource (292 p.) 225 1 $aHandbook of Oriental studies. Section 1, the Near and Middle East,$x0169-9423 ;$vv. 90 300 $aIncludes addenda and corrigenda. 311 $a90-04-18630-1 311 $a90-04-15722-0 320 $aIncludes bibliographical references (p. [177]-178) and index. 327 $tPreliminary Material /$rA. Contadini --$tIntroduction --$tThe manuscript as a whole --$tWhat does ?arab painting? mean? /$rOleg Grabar --$tArt in the name of science: The Kit?b al-Diry?q in text and image /$rJaclynne J. Kerner --$tText and illustrations. Dioscorides and the illustrated herbal in the arab tradition /$rMichael J. Rogers --$tElusive giraffes: Ibn Abi L-?aw?fir?s Bad?i?I? Al-Akw?n and other animal books /$rRemke Kruk --$tMapping the mnemonic: A late thirteenth-century copy of Al-??f??s book of the constellations /$rMoya Carey --$tFrom Iraq to Fars: Tracking cultural transformations in the 1322 Qazw?n??Aj??Ib manuscript /$rPersis Berlekamp --$tThe earliest islamic illustrated manuscript, the Maq?m?t and a graveyard at Su??r at Su??r, Oman /$rGeoffrey R. D. King --$tLove localized and science from Afar: ?Arab painting,? iberian courtly culture, And the ?ad?th Bay?? Wa Riy?? (VAT. AR. RIS. 368) /$rCynthia Robinson --$tThe Schefer ?ar?r?: A study in islamic frontispiece design /$rRobert Hillenbrand --$tThe uses of captions in medieval literary arabic manuscripts /$rBernard O?Kane --$tAnatomical illustration in arabic manuscripts /$rEmilie Savage-Smith --$tThe ?translation? of diagrams and illustrations from arabic into latin /$rCharles Burnett --$tIntroductory bibliography /$rA. Contadini --$tIllustrations /$rA. Contadini --$tIndex /$rA. Contadini. 327 $tPreliminary Material /$rA. Contadini --$tIntroduction --$tThe manuscript as a whole --$tWhat does ?arab painting? mean? /$rOleg Grabar --$tArt in the name of science: The Kit?b al-Diry?q in text and image /$rJaclynne J. Kerner --$tText and illustrations. Dioscorides and the illustrated herbal in the arab tradition /$rMichael J. Rogers --$tElusive giraffes: Ibn Abi L-?aw?fir?s Bad?i?I? Al-Akw?n and other animal books /$rRemke Kruk --$tMapping the mnemonic: A late thirteenth-century copy of Al-??f??s book of the constellations /$rMoya Carey --$tFrom Iraq to Fars: Tracking cultural transformations in the 1322 Qazw?n??Aj??Ib manuscript /$rPersis Berlekamp --$tThe earliest islamic illustrated manuscript, the Maq?m?t and a graveyard at Su??r at Su??r, Oman /$rGeoffrey R. D. King --$tLove localized and science from Afar: ?Arab painting,? iberian courtly culture, And the ?ad?th Bay?? Wa Riy?? (VAT. AR. RIS. 368) /$rCynthia Robinson --$tThe Schefer ?ar?r?: A study in islamic frontispiece design /$rRobert Hillenbrand --$tThe uses of captions in medieval literary arabic manuscripts /$rBernard O?Kane --$tAnatomical illustration in arabic manuscripts /$rEmilie Savage-Smith --$tThe ?translation? of diagrams and illustrations from arabic into latin /$rCharles Burnett --$tIntroductory bibliography /$rA. Contadini --$tIllustrations /$rA. Contadini --$tIndex /$rA. Contadini. 330 $aArab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work. 330 $aArab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work. 410 0$aHandbuch der Orientalistik.$nErste Abteilung,$pNahe und der Mittlere Osten ;$v90. Bd. 606 $aIllumination of books and manuscripts, Arab 606 $aIslamic illumination of books and manuscripts$zArab countries 606 $aIllumination of books and manuscripts, Medieval$zArab countries 606 $aManuscripts, Arabic 615 0$aIllumination of books and manuscripts, Arab. 615 0$aIslamic illumination of books and manuscripts 615 0$aIllumination of books and manuscripts, Medieval 615 0$aManuscripts, Arabic. 676 $a745.6/74927 701 $aContadini$b Anna$0704549 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910816467803321 996 $aArab painting$93996262 997 $aUNINA