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100   $a20150731d2014      uy|            0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aPerformance projections $efilm and the body in action /$fStephen Barber
210  1$aLondon :$cReaktion Books,$d2014.
215   $a1 online resource (258 p.)
300   $aDescription based upon print version of record.
311   $a1-78023-369-8 
320   $aIncludes bibliographical references.
327   $aCover; Performance Projections: Film and the Body in Action; Imprint Page; Contents; Part one: In Transit: Between and Across Performance and Film; Part two: Performance's Elsewheres: Rooftops, Courtyards, Subterranean Spaces; Part three: Corporeal Projections: Marks of the Body; Part four: Riot Performance: Filmings of Human Uproar; Part five: Image Interzones: The Digital World and Performance; Coda: The Lost Films of Performance; References; Acknowledgements
330   $aFilm does far more than document performance-it actively recreates the time and space of performance and overhauls its rapport with the viewer's eye and body. The first book to look in-depth at the intersection of film and performance in relation to issues and theories of space, Performance Projections travels from the origins of film in Europe and the United States to the world of digital media today, exploring the dynamic relationship between these vitally connected ideas. Drawing from a wide range of examples-including film depictions of German and Japanese and Chinese performance.
606   $aPerformance art
606   $aProjection art
606   $aFilm criticism
606   $aMotion pictures$xHistory
606   $aHuman body
615  0$aPerformance art.
615  0$aProjection art.
615  0$aFilm criticism.
615  0$aMotion pictures$xHistory.
615  0$aHuman body.
676   $a791.4301
700   $aBarber$b Stephen$0567911
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910816387403321
996   $aPerformance projections$93991118
997   $aUNINA