LEADER 03355nam 2200577Ia 450 001 9910816362603321 005 20200520144314.0 010 $a1-134-61323-7 010 $a0-203-63866-2 010 $a1-134-61324-5 010 $a1-280-07963-0 010 $a0-203-63425-X 024 7 $a10.4324/9780203634257 035 $a(CKB)1000000000253354 035 $a(EBL)182182 035 $a(OCoLC)85804557 035 $a(MiAaPQ)EBC182182 035 $a(Au-PeEL)EBL182182 035 $a(CaPaEBR)ebr10097000 035 $a(CaONFJC)MIL7963 035 $a(EXLCZ)991000000000253354 100 $a20030121d2003 uy 0 101 0 $aeng 135 $auran#---uuuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRethinking third cinema /$fedited by Anthony R. Guneratne and Wimal Dissanayake 205 $a1st ed. 210 $aNew York ;$aLondon $cRoutledge$d2003 215 $a1 online resource (253 p.) 311 18$aPrint version: Rethinking Third Cinema. New York ; London : Routledge, 2003 9780415213547 (OCoLC)61423748 311 18$a0-415-21354-1 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title; Contents; Contributors; Acknowledgments; Introduction: rethinking Third Cinema; Third Cinema theory and beyond; Beyond Third Cinema: the aesthetics of hybridity; Challenging Third World legacies: issues of gender, culture, and representation; Post-Third-Worldist culture: gender, nation, and thecinema; The erotics of history: gender and transgression in the Asian cinemas; Alternative cinemas in the age of globalization; Authorship, globalization, and the new identity of Latin American cinema: from the Mexican ~ranchera~ to Argentinian ~exile~ 327 $aVideo booms and the manifestations of ~first~ cinema in anglophone AfricaThe relocation of culture: social specificity and the ~Third~ question; What's ~oppositional~ in Indonesian cinema?; The seductions of homecoming: place, authenticity, and Chen Kaige's Temptress Moon; Receiving/retrieving Third (World) Cinema: alternative approaches to spectator studies and critical history; Theorizing ~Third World~ film spectatorship: the case ofIran an 330 $aThis important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. 606 $aMotion pictures$zDeveloping countries 606 $aIntercultural communication in motion pictures 615 0$aMotion pictures 615 0$aIntercultural communication in motion pictures. 676 $a791.43091724 701 $aGuneratne$b Anthony R$0607440 701 $aDissanayake$b Wimal$0532319 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910816362603321 996 $aRethinking third cinema$93914682 997 $aUNINA