LEADER 05489nam 2200637 450 001 9910816310603321 005 20240116064127.0 010 $a90-485-5177-3 024 7 $a10.1515/9789048551774 035 $a(MiAaPQ)EBC30256430 035 $a(Au-PeEL)EBL30256430 035 $a(CKB)25456298900041 035 $a(DE-B1597)637633 035 $a(DE-B1597)9789048551774 035 $a(OCoLC)1351751959 035 $a(MdBmJHUP)musev2_109327 035 $a(OCoLC)1356995453 035 $a(EXLCZ)9925456298900041 100 $a20240116d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aIndecent Bodies in Early Modern Visual Culture /$fedited by Fabian Jonietz, Mandy Richter, and Alison G. Stewart 205 $aFirst edition. 210 1$aAmsterdam :$cAmsterdam University Press,$d[2023] 210 4$d©2023 215 $a1 online resource (294 pages) 225 1 $aVisual and Material Culture, 1300-1700 Series ;$vVolume 40 300 $aIncludes index. 311 08$aPrint version: Jonietz, Fabian Indecent Bodies in Early Modern Visual Culture Amsterdam : Amsterdam University Press,c2022 327 $aCover -- Table of Contents -- Indecent Bodies in Early Modern Visual Culture: An Introduction -- Fabian Jonietz, Mandy Richter, Alison G. Stewart -- 1. Taste, Lust, and the Male Body: Sexual Representations in Early Sixteenth-Century Northern Europe -- Alison G. Stewart -- 2. Private Viewings: The Frankfurt Context of Sebald Beham's Die Nacht -- Miriam Hall Kirch -- 3. To Show or Not to Show? Marcantonio Raimondi and the Representation of Female Pubic Hair -- Mandy Richter -- 4. Treating Bodily Impurities: Skin, Art, and Medicine -- Romana Sammern 327 $a5. Indecent Exposure and Honourable Uncovering in Renaissance Portraits of Women -- Bette Talvacchia -- 6. Lust in Translation: Agency, Sexuality, and Gender Configuration in Pauwels Franck's Allegories of Love -- Ricardo De Mambro Santos -- 7. 'So This Guy Walks into a Forest...:' Obscenity, Humour, Sex, and the Equine Body in Hans Baldung's Horses in a Forest Woodcuts (1534) -- Pia F. Cuneo -- 8. Indecent Creativity and the Tropes of Human Excreta -- Fabian Jonietz -- 9. 'It All Turns to Shit' -- The Land of Cockaigne in Sixteenth-Century German Woodcuts -- Susanne Meurer 327 $a10. Noe?ls and Bodily Fluids: The Business of Low-Country Ceremonial Fountains -- Catherine Emerson -- Index -- List of Illustrations -- Figure 0.1: Isaac Cruikshank, Indecency, coloured etching, 1799, Washington, D.C., Library of Congress Prints and Photographs Division, PC 3 -- 1799 -- Indecency (A size) [P&P], https://www.loc.gov/item/2003652525/. -- Figure 0.2: Master of the Hours of Henri II, Francis I as Minerva, parchment on oak, c. 1545, 234 × 134 mm, Paris, Bibliotheque nationale de France, Estampes, Res. Na 255. 327 $aFigure 0.3: Hans Liefrinck after Leonardo da Vinci, Two Grotesque Heads, engraving, 1538, 115 × 157 mm, New York, Metropolitan Museum of Art, acc. no. 2008.577.3, Gift of Leo Steinberg, 2008. -- Figure 0.4: Domenico Ghirlandaio, Old Man and his Grandson, tempera on wood, c. 1490, 62.7 × 46.3 cm, Paris, Musee du Louvre, inv. RF 266, RMN-Grand Palais (Musee du Louvre) / Franck Raux, https://collections.louvre.fr/en/ark:/53355/cl010064987. 327 $aFigure 0.5: German painter, The Giant Anton Frank with the Dwarf Thomele, canvas, end of sixteenth century, 266.8 × 162.5 cm, Vienna, Kunsthisto­risches Museum, inv. Gema?ldegalerie, 8299 KHM-Museumsverband. -- Figure 0.6: Master of the Crucifixion of Kempten, detail of Crucifixion, panel painting, c. 1460/70, Nuremberg, Germanisches Nationalmuseum, loan of the Bayerischen Staatsgema?ldesammlungen Munich, inv. Gm879. 330 $aThe life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered ?decent? and representable, and which disapproved, censored, or prohibited. Simultaneously, artists and the public became increasingly interested in the depiction of specific body parts or excretions. This book explores the concept of indecency and its relation to the human body across drawings, prints, paintings, sculptures, and texts. The ten essays investigate questions raised by such objects about practices and social norms regarding the body, and they look at the particular function of those artworks within this discourse. The heterogeneous media, genres, and historical contexts north and south of the Alps studied by the authors demonstrate how the alleged indecency clashed with artistic intentions and challenges traditional paradigms of the historiography of Early Modern visual culture. 410 0$aVisual and material culture, 1300-1700 ;$vVolume 40. 606 $aArt, European 606 $aHuman beings in art 606 $aObscenity (Aesthetics) 615 0$aArt, European. 615 0$aHuman beings in art. 615 0$aObscenity (Aesthetics) 676 $a709.4 702 $aJonietz$b Fabian 702 $aRichter$b Mandy 702 $aStewart$b Alison G. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910816310603321 996 $aIndecent Bodies in Early Modern Visual Culture$94018001 997 $aUNINA