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100   $a20180706d2003      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aPerspectives on Persian painting to Amir Khusrau's Khamsah /$fBarbara Brend
210  1$aLondon ;$aNew York :$cRoutledgeCurzon,$d2003.
215   $a1 online resource (369 p.)
300   $aDescription based upon print version of record.
311   $a1-138-97833-7 
311   $a0-7007-1467-7 
320   $aIncludes bibliographical references (pages 307-317) and index.
327   $a1. The Khamsah in summary -- 2. Manuscripts of western Iran prior to the death of Shah Rukh -- 3. Sultanate manuscripts -- 4. Manuscripts in Turkman styles -- 5. Ottoman manuscripts under Bayezid II -- 6. Classical and sub-classical styles of Herat -- 7. Mughal manuscripts to the period of Jahangir.
330   $aThis is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century,
606   $aIllumination of books and manuscripts, Iranian
606   $aIslamic illumination of books and manuscripts$zIran
615  0$aIllumination of books and manuscripts, Iranian.
615  0$aIslamic illumination of books and manuscripts
676   $a745.6/7/0955
700   $aBrend$b Barbara$f1940-$0638661
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910816288403321
996   $aPerspectives on Persian painting to Amir Khusrau's Khamsah$94122274
997   $aUNINA