LEADER 09558nam 2200469 450 001 9910816169303321 005 20230829161452.0 010 $a1-119-61810-X 010 $a1-119-61808-8 010 $a1-119-61811-8 035 $a(CKB)4100000008095735 035 $a(MiAaPQ)EBC5761049 035 $a(OCoLC)1099434309 035 $a(EXLCZ)994100000008095735 100 $a20190514d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aElectronic music machines $ethe new musical instruments /$fJean-Michel Reveillac 210 1$aLondon, England ;$aHoboken, New Jersey :$cISTE :$cWiley,$d[2019] 210 4$dİ2019 215 $a1 online resource (387 pages) 225 1 $aWaves series. 225 0 $aTHEi Wiley ebooks. 311 $a1-78630-325-6 320 $aIncludes bibliographical references and index. 327 $gChapter 1$tElectronic Music$gp. 1 --$g1.1$tMusique concre?te$gp. 1 --$g1.2$tThe beginnings of electronic music$gp. 3 --$g1.3$tElectroacoustic music$gp. 3 --$g1.4$tAcousmatic music$gp. 4 --$g1.5$tAnd much, much more$gp. 6 --$g1.6$tMaturity$gp. 6 --$g1.7$tDifferent paths to music$gp. 6 --$g1.8$tToday and tomorrow$gp. 10 --$g1.9$tElectronic music and counter-culturalism$gp. 11 --$gChapter 2$tWhen Revolution Holds Us in Its Grasp$gp. 15 --$g2.1$tFrom analog to digital$gp. 15 --$g2.2$tPopular music and electronic music$gp. 23 --$g2.2.1$tNew wave$gp. 25 --$g2.2.2$tHouse music$gp. 26 --$g2.2.3$tTechno$gp. 28 --$g2.2.4$tNew beat$gp. 29 --$g2.2.5$tAcid house$gp. 30 --$g2.2.6$tAcid jazz$gp. 32 --$g2.2.7$tAmbient$gp. 33 --$g2.2.8$tHip-hop and rap$gp. 35 --$g2.2.9$tTrance$gp. 35 --$g2.2.10$tElectro or contemporary electro$gp. 36 --$gChapter 3$tThe MIDI Standard$gp. 41 --$g3.2$tHow MIDI works$gp. 42 --$g3.2.1$tThe hardware level$gp. 42 --$g3.2.2$tThe software level$gp. 45 --$g3.3$tExamples of MIDI transmission$gp. 49 --$g3.3.1$tNote-on/note-off messages$gp. 49 --$g3.3.2$tProgram change message$gp. 50 --$g3.4$tThe MIDI implementation chart$gp. 51 --$g3.5$tThe General MIDI standard$gp. 52 --$g3.6$tThe General MIDI 2 standard$gp. 54 --$g3.7$tThe GS format$gp. 54 --$g3.8$tThe XG format$gp. 55 --$g3.9$tThe structure of a MIDI file$gp. 56 --$g3.9.1$tHeader chunks$gp. 56 --$g3.9.2$tTrack chunks$gp. 57 --$g3.9.3$tExample of a MIDI file$gp. 64 --$g3.10$tMIDI devices$gp. 67 --$g3.10.1$tMIDI boxes, mergers, and patchers$gp. 67 --$g3.10.2$tMusical instruments$gp. 69 --$g3.10.3$tStudio hardware$gp. 70 --$g3.10.4$tMIDI to computer$gp. 71 --$gChapter 4$tSequencers$gp. 75 --$g4.1$tMechanical and electrical machines$gp. 75 --$g4.1.1$tMusic boxes$gp. 76 --$g4.1.2$tMechanical pianos$gp. 77 --$g4.1.3$tBarrel organs$gp. 80 --$g4.1.4$tFairground organs$gp. 82 --$g4.2$tAnalog sequencers$gp. 83 --$g4.3$tDigital sequencers$gp. 86 --$g4.4$tSoftware sequencers$gp. 88 --$gChapter 5$tDrum Machines$gp. 93 --$g5.1$tOn the subject of electromechanical rhythm$gp. 93 --$g5.2$tDrum machines with presets$gp. 97 --$g5.3$tProgrammable drum machines$gp. 103 --$g5.4$tThe MIDI age$gp. 106 --$g5.5$tDrum machines with sampled sounds$gp. 107 --$g5.6$tRhythms, software, and computers$gp. 111 --$gChapter 6$tSamplers$gp. 117 --$g6.1$tHistory of samplers$gp. 117 --$g6.1.2$tThe arrival of the Mellotron$gp. 119 --$g6.1.3$tSamplers$gp. 123 --$g6.1.4$tSoftware samplers$gp. 133 --$g6.2$tHistory of musical styles$gp. 139 --$g6.3$tArchitecture and principles$gp. 142 --$gChapter 7$tGroove Machines$gp. 147 --$g7.2$tFamous groove machines$gp. 148 --$g7.2.1$tE-mu SP12 (1985)$gp. 149 --$g7.2.2$tAKAI MPC-60 (1988)$gp. 150 --$g7.2.3$tRoland MC-303 (1996)$gp. 151 --$g7.2.4$tAKAI MPC 2000XL (1999)$gp. 152 --$g7.2.5$tRoland MC-909 (2003)$gp. 153 --$g7.2.6$tElektron Octatrack DPS 1 (2011)$gp. 155 --$g7.2.7$tKorg Electribe 2 (2014) and Korg Electribe Sampler (2015)$gp. 156 --$g7.2.8$tNovation Circuit (2015)$gp. 158 --$g7.2.9$tTeenage Electronics Pocket Operator PO-32 (2017)$gp. 159 --$g7.3$tSoftware groove machines$gp. 160 --$g7.3.1$tImage Line Groove Machine$gp. 162 --$g7.3.2$tPropellerhead Reason$gp. 163 --$g7.3.3$tAbleton Live$gp. 169 --$g7.4$tControllers and software$gp. 172 --$g7.4.1$tNative Instruments Maschine (2009)$gp. 172 --$g7.4.2$tRoland MPC Studio Black (2017)$gp. 174 --$g7.5$tiGroove machines$gp. 176 --$gChapter 8$tVocoders$gp. 179 --$g8.2$tWorking principle of the vocoder$gp. 183 --$g8.3$tMachines and equipment$gp. 184 --$g8.3.1$tEMS Vocoder 2000$gp. 184 --$g8.3.2$tEMS Vocoder 5000$gp. 185 --$g8.3.3$tEMS Vocoder 3000$gp. 185 --$g8.3.4$tRoland VP-330$gp. 186 --$g8.3.5$tKorg VC-10$gp. 187 --$g8.3.6$tMoog Vocoder$gp. 188 --$g8.3.7$tRoland SVC-350$gp. 188 --$g8.3.8$tElectrix Warp Factory$gp. 189 --$g8.3.9$tKorg MS2000$gp. 189 --$g8.3.10$tMicrokorg$gp. 190 --$g8.3.11$tRoland VP-550$gp. 191 --$g8.3.12$tThe Music and More VF11$gp. 192 --$g8.3.13$tNovation Mininova$gp. 192 --$g8.3.14$tDigitech Talker$gp. 193 --$g8.3.15$tElectro-Harmonix V256$gp. 194 --$g8.3.16$tA few more unusual examples$gp. 194 --$g8.4$tSoftware vocoders$gp. 195 --$g8.5$tOne step further$gp. 196 --$g8.5.1$tTalkbox$gp. 196 --$g8.5.2$tAuto-Tune$gp. 198 --$gChapter 9$tOctatrack: Maintenance, Repairs, and Tips$gp. 201 --$g9.1$tUpdating the software$gp. 201 --$g9.1.1$tUpdating the operating system$gp. 203 --$g9.2$tTesting the OT$gp. 206 --$g9.2.1$tTesting the push buttons$gp. 207 --$g9.2.2$tTesting the dials$gp. 210 --$g9.2.3$tTesting the x-fader$gp. 211 --$g9.2.4$tAnalysis and results$gp. 211 --$g9.3$tHardware repairs$gp. 211 --$g9.3.1$tOpening up the OT$gp. 212 --$g9.3.2$tReplacing the push buttons$gp. 215 --$g9.3.3$tReplacing the battery$gp. 220 --$g9.3.4$tReplacing the x-fader$gp. 222 --$g9.3.5$tReplacing an incremental encoder$gp. 225 --$gChapter 10$tOctatrack: MIDI Sequences and Arpeggios$gp. 229 --$g10.1$tSetup and configuration$gp. 229 --$g10.1.1$tConnections and software settings$gp. 229 --$g10.1.2$tCreating a new project$gp. 231 --$g10.1.3$tCreating a THRU device (machine)$gp. 231 --$g10.1.4$tSetting up the MIDI connection between the OT and the instrument$gp. 232 --$g10.2$tCreating a MIDI sequence using triggers$gp. 234 --$g10.2.1$tMIDI track$gp. 234 --$g10.2.2$tCreating a musical sequence$gp. 235 --$g10.2.3$tA multi-page sequence$gp. 238 --$g10.3$tCreating a sequence with the arpeggiator$gp. 240 --$g10.3.1$tPresentation of the arpeggiator$gp. 241 --$g10.3.2$tA simple arpeggio$gp. 242 --$g10.3.3$tDefining an arpeggio graphically$gp. 244 --$g10.3.4$tMore complex arpeggios$gp. 246 --$g10.3.5$tTriggers in chromatic mode$gp. 247 --$g10.3.6$tSaving a MIDI sequence from an external instrument$gp. 248 --$g10.4$tCreating a MIDI sequence with a drum machine$gp. 251 --$g10.5$tMIDI sequences, rhythms, and CC codes$gp. 255 --$gChapter 11$tKorg Electribe: Maintenance and Hardware Tips$gp. 263 --$g11.1.1$tElectribe 2$gp. 264 --$g11.1.2$tElectribe Sampler$gp. 266 --$g11.2$tMIDI cables$gp. 267 --$g11.2.3$tMale 3.5 mm jack to female 5-pin DIN adapter$gp. 267 --$g11.2.2$tMale 3.5 mm jack to male 5-pin DIN cable$gp. 268 --$g11.3$tUpdating the operating system$gp. 269 --$g11.4$tElectribe 2 to Electribe Sampler$gp. 272 --$g11.4.1$tMigrating to the Electribe Sampler$gp. 274 --$g11.4.2$tReverting to the Electribe 2$gp. 276 --$g11.4.3$tDowngrading the Electribe$gp. 277 --$g11.4.4$tEditing the operating system files$gp. 277 --$g11.4.5$tMajor operating system versions of the Electribe 2$gp. 280 --$gChapter 12$tKorg Electribe: Software Tips$gp. 281 --$g12.1$tMenu tree of the Electribe 2 and the Electribe Sampler$gp. 281 --$g12.2$tShortcuts$gp. 295 --$g12.3$tUsing the audio input$gp. 295 --$g12.3.1$tThrough the Electribe$gp. 296 --$g12.3.2$tSaving a carrier pattern$gp. 297 --$g12.3.3$tFiltering and applying effects$gp. 300 --$g12.3.4$tSending commands to the synthesizer using triggers$gp. 302 --$g12.3.5$tSequencer, synthesizer, filters, and effects$gp. 304 --$g12.4$tExtra tips$gp. 305 --$g12.4.1$tOctave switching$gp. 305 --$g12.4.2$tViewing the current settings of a PART$gp. 305 --$g12.4.3$tControlling two different synthesizers from the MIDI out$gp. 305. 330 $aSince 1960, with the advent of musical electronics, composers and musicians have been using ever more sophisticated machines to create sonic material that presents innovation, color and new styles: electro-acoustic, electro, house, techno, etc. music. The music of Pierre Henry, Kraftwerk, Pink Floyd, Daft Punk and many others has introduced new sounds, improbable rhythms and a unique approach to composition and notation. Electronic machines have become essential: they have built and influenced the music of the most recent decades and set the trend for future productions. This book explores the theory and practice related to the different machines which constitute the universe of musical electronics, omitting synthesizers which are treated in other works. Sequencers, drum machines, samplers, groove machines and vocoders from 1960 to today are studied in their historical, physical and theoretical context. More detailed approaches to the Elektron Octatrack sequencer-sampler and the Korg Electribe 2 groove machine are also included. 410 0$aWaves series. 606 $aElectronic musical instruments 615 0$aElectronic musical instruments. 676 $a789.9 700 $aReveillac$b Jean-Michel$0877405 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910816169303321 996 $aElectronic music machines$94080968 997 $aUNINA