LEADER 03968nam 2200493 450 001 9910816083703321 005 20230803211607.0 010 $a1-68335-191-6 010 $a1-61312-706-5 035 $a(CKB)4340000000215886 035 $a(Au-PeEL)EBL5111363 035 $a(CaPaEBR)ebr11460397 035 $a(OCoLC)1009241361 035 $a(MiAaPQ)EBC5111363 035 $a(EXLCZ)994340000000215886 100 $a20190109d2014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAltman /$fKathryn Reed Altman and Giulia D'Agnolo Vallan ; introduction by Martin Scorsese 210 1$aNew York, New York :$cAbrams,$d2014. 215 $a1 online resource (335 pages) $cillustrations 311 $a1-4197-0777-9 320 $aIncludes filmography and index. 327 $tThe early years /$rGiulia D'Agnolo Vallan --$tKansas City Bob /$rFrank Barhydt --$tSomething akin to love /$rMichael Murphy --$tThe early years /$rKathryn Reed Altman --$tThe seventies (pt. I) /$rGiulia D'Agnolo Vallan --$tReview : McCabe & Mrs. Miller /$rRoger Ebert --$tReview : Love and Coca Cola /$rPauline Kael --$tThe seventies (part 1) /$rKathryn Reed Altman --$tNashville /$rGiulia D'Agnolo Vallan --$tNashville : a shadow of what we have become and where we might look for wisdom /$rKurt Vonnegut Jr. --$tReview : Coming : Nashville /$rPauline Kael --$tAn interview with Lily Tomlin /$rGiulia D'Agnolo Vallan --$tNashville /$rKathryn Reed Altman --$tThe seventies (pt. II) /$rGiulia D'Agnolo Vallan --$tRemarks at the Robert Altman Memorial Tribute /$rE.L. Doctorow --$tAltman after hours /$rAlan Rudolph --$tThe seventies (part 2) /$rKathryn Reed Altman --$tThe eighties /$rGiulia D'Agnolo Vallan --$tAn interview with Jules Feiffer /$rGiulia D'Agnolo Vallan --$tSome thoughts about Tanner '88 /$rMichael Murphy --$tThe eighties /$rKathryn Reed Altman --$tThe nineties /$rGiulia D'Agnolo Vallan --$tGreener pastures /$rMichael Tolkin --$tRobert Altman & Frank Barhydt /$rTess Gallagher --$tThe nineties /$rKathryn Reed Altman --$tThe aughts /$rGiulia D'Agnolo Vallan --$tAn interview with Julian Fellowes /$rGiulia D'Agnolo Vallan --$tAltman /$rJames Franco --$tBob /$rGarrison Keillor --$tThe aughts /$rKathryn Reed Altman. 330 $a"For decades, Robert Altman fascinated audiences with pioneering films--among them M*A*S*H, Nashville, The Player, and Gosford Park--that combined technical innovation with subversive, satirical humor and impassioned political engagement. His ability to explore and engage so many different worlds with a single, coherent vision changed the landscape of cinema forever. This signature "Altmanesque" style is, in the words of Martin Scorsese: "as recognizable and familiar as Renoir's brushstrokes or Debussy's orchestrations." Now, the Altman estate opens its archive to celebrate his extraordinary life and career in the first authorized visual biography on the iconoclastic director. Altman, by Altman's widow Kathryn Reed Altman and film critic Guilia D'Agnolo Vallan, brims with photographs and ephemera, many culled from private family albums, and personal recollections of the director. Alongside the intimate illustrated story is a complete visual, historical, and critical narrative of Altman's films and his process"--Publisher's description. 606 $aMotion pictures$zUnited States$xHistory 606 $aMotion picture producers and directors$zUnited States$vBiography 607 $aUSA$2gnd 615 0$aMotion pictures$xHistory. 615 0$aMotion picture producers and directors 676 $a791.4302/33092 700 $aAltman$b Kathryn Reed$01604474 702 $aD'Agnolo Vallan$b Giulia 702 $aScorsese$b Martin 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910816083703321 996 $aAltman$93929331 997 $aUNINA