LEADER 03855nam 22006375 450 001 9910816076703321 005 20190904122446.0 010 $a0-8135-7472-2 010 $a0-8135-7473-0 024 7 $a10.36019/9780813574738 035 $a(CKB)3710000000858522 035 $a(MiAaPQ)EBC4689785 035 $a(OCoLC)958499038 035 $a(MdBmJHUP)muse53393 035 $a(DE-B1597)526298 035 $a(DE-B1597)9780813574738 035 $a(EXLCZ)993710000000858522 100 $a20190904d2016 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aReichsrock $eThe International Web of White-Power and Neo-Nazi Hate Music /$fKirsten Dyck 210 1$aNew Brunswick, NJ : $cRutgers University Press, $d[2016] 210 4$dİ2016 215 $a1 online resource (212 pages) 311 $a0-8135-7471-4 311 $a0-8135-7470-6 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $t1. What Is White-Power Music? -- $t2. The History Of White-Power Music In Britain -- $t3. The History Of White-Power Music In Continental Western Europe -- $t4. The History Of White-Power Music In Eastern Europe -- $t5. The History Of White-Power Music Outside Europe -- $t6. Conclusion -- $tNotes -- $tSelect Bibliography -- $tSelect Recordings Cited -- $tIndex -- $tAbout The Author 330 $aFrom rap to folk to punk, music has often sought to shape its listeners' political views, uniting them as a global community and inspiring them to take action. Yet the rallying potential of music can also be harnessed for sinister ends. As this groundbreaking new book reveals, white-power music has served as a key recruiting tool for neo-Nazi and racist hate groups worldwide. Reichsrock shines a light on the international white-power music industry, the fandoms it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck not only investigates how white-power bands and their fans have used the internet to spread their message globally, but also considers how distinctly local white-power scenes have emerged in Western Europe, Eastern Europe, Latin America, the United States, and many other sites. While exploring how white-power bands draw from a common well of nationalist, racist, and neo-Nazi ideologies, the book thus also illuminates how white-power musicians adapt their music to different locations, many of which have their own terms for defining whiteness and racial otherness. Closely tracking the online presence of white-power musicians and their fans, Dyck analyzes the virtual forums and media they use to articulate their hateful rhetoric. This book also demonstrates how this fandom has sparked spectacular violence in the real world, from bombings to mass shootings. Reichsrock thus sounds an urgent message about a global menace. 606 $aHate groups 606 $aNeo-Nazism 606 $aWhite supremacy movements 606 $aPunk rock music$xPolitical aspects 606 $aPunk rock music$xSocial aspects 606 $aHeavy metal (Music)$xPolitical aspects 606 $aHeavy metal (Music)$xSocial aspects 608 $aElectronic books. 615 0$aHate groups. 615 0$aNeo-Nazism. 615 0$aWhite supremacy movements. 615 0$aPunk rock music$xPolitical aspects. 615 0$aPunk rock music$xSocial aspects. 615 0$aHeavy metal (Music)$xPolitical aspects. 615 0$aHeavy metal (Music)$xSocial aspects. 676 $a306.4/842 686 $aLB 42000$2rvk 700 $aDyck$b Kirsten, $01720337 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910816076703321 996 $aReichsrock$94118906 997 $aUNINA