LEADER 01550nam 2200457Ia 450 001 9910701054003321 005 20111031082814.0 035 $a(CKB)5470000002414497 035 $a(OCoLC)759104935 035 $a(EXLCZ)995470000002414497 100 $a20111031d2010 ua 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aFast multivariate search on large aviation datasets$b[electronic resource] /$fKanishka Bhaduri ... [and others] 210 1$aMoffett Field, Calif. :$cNational Aeronautics and Space Administration, Ames Research Center,$d[2010] 215 $a1 online resource (24 pages) $cillustrations 225 1 $aNASA TM ;$v2010-216418 300 $aTitle from title screen (viewed on Oct. 31, 2011). 300 $a"November 2010." 320 $aIncludes bibliographical references (pages 22-23). 606 $aMultivariate statistical analysis$2nasat 606 $aTime lag$2nasat 606 $aTime series analysis$2nasat 606 $aData bases$2nasat 606 $aAlgorithms$2nasat 615 7$aMultivariate statistical analysis. 615 7$aTime lag. 615 7$aTime series analysis. 615 7$aData bases. 615 7$aAlgorithms. 701 $aBhaduri$b Kanishka$01413462 712 02$aAmes Research Center. 801 0$bGPO 801 1$bGPO 906 $aBOOK 912 $a9910701054003321 996 $aFast multivariate search on large aviation datasets$93509908 997 $aUNINA LEADER 05141oam 22007574a 450 001 9910816067703321 005 20230502232023.0 010 $a0-253-35653-9 010 $a0-253-05217-3 035 $a(CKB)4100000011706574 035 $a(MiAaPQ)EBC6451979 035 $a(OCoLC)1192303962 035 $a(MdBmJHUP)musev2_99020 035 $a(MiAaPQ)EBC30657072 035 $a(Au-PeEL)EBL30657072 035 $a(EXLCZ)994100000011706574 100 $a20200806d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aJosephine Baker's Cinematic Prism$fTerri Simone Francis 205 $a1st ed. 210 1$d[2021]$aBloomington, Indiana :$cIndiana University Press, 215 $a1 online resource (xi, 199 pages) $cillustrations 311 $a0-253-22338-5 311 $a0-253-01759-9 320 $aIncludes bibliographical references and index. 327 $aCover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Prologue: What Might Be Josephine Baker's Film History -- Introduction: Hey! Ha! Shimmy My Bananas! Refracting Baker's Image -- 1. Traveling Shoes: Baker's Migrations and the Conundrums of Sweet Paris -- 2. Shouting at Shadows: The Black American Press, French Colonial Culture, and La sire?ne des tropiques -- 3. Unintended Exposures: Baker's Prismatic Ethnological Performance in Zouzou -- 4. Seeing Double: Parody and Desire in Le pompier de Folies Berge?re and Princesse Tam-Tam -- Epilogue: Long Live Josephine Baker! -- Bibliography -- Index -- About the Author. 330 $a"Josephine Baker, the first black woman to star in a major motion picture, was both liberated and delightfully undignified, playfully vacillating between allure and colonialist stereotyping. Nicknamed the "Black Venus," "Black Pearl," and "Creole Goddess," Baker blended the sensual and the comedic when taking 1920s Europe by storm. Back home in the United States, Baker's film career brought hope to the black press that a new cinema centered on black glamour would come to fruition. In Josephine Baker's Cinematic Prism, Terri Simone Francis examines how Baker fashioned her celebrity through cinematic reflexivity, an authorial strategy in which she placed herself, her persona, and her character into visual dialogue. Francis contends that though Baker was an African American actress who lived and worked in France exclusively with a white film company, white costars, white writers, and white directors, she holds monumental significance for African American cinema as the first truly global black woman film star. Francis also examines the double-talk between Baker and her characters in Le Pompier de Folies Berge?re, La Sire?ne des Tropiques, Zou Zou, Princesse Tam Tam, and The French Way, whose narratives seem to undermine the very stardom they offered. In doing so, Francis artfully illuminates the most resonant links between emergent African American cinephilia, the diverse opinions of Baker in the popular press, and African Americans' broader aspirations for progress toward racial equality. 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