LEADER 02285nam 2200577 a 450 001 9910816051203321 005 20240516071012.0 010 $a1-283-16280-6 010 $a9786613162809 010 $a1-84150-522-6 035 $a(CKB)2670000000093470 035 $a(EBL)711691 035 $a(OCoLC)729166882 035 $a(SSID)ssj0000537552 035 $a(PQKBManifestationID)12181049 035 $a(PQKBTitleCode)TC0000537552 035 $a(PQKBWorkID)10554234 035 $a(PQKB)11732784 035 $a(MiAaPQ)EBC711691 035 $a(Au-PeEL)EBL711691 035 $a(CaPaEBR)ebr10476296 035 $a(CaONFJC)MIL316280 035 $a(EXLCZ)992670000000093470 100 $a20110621d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aHistorical comedy on screen $esubverting history with humour /$fedited by Hannu Salmi 205 $a1st ed. 210 $aBristol [England] ;$aChicago $cIntellect$d2011 215 $a1 online resource (210 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-367-3 320 $aIncludes bibliographical references and index. 327 $apt. 1. Comedians and comic representation -- pt. 2. No laughing matter. 330 $aIn 1893, Friedrich Engels branded history 'the cruelest goddess of all.' This sorrowful vision of the past is deeply rooted in the Western imagination, and history is thus presented as a joyless playground of inevitability rather than a droll world of possibilities. There are few places this is more evident than in historical cinema which tends to portray the past in a somber manner. Historical Comedy on Screen examines this tendency paying particular attention to the themes most difficult to laugh at and exploring the place where comical and historical storytelling intersect. The first scholar 606 $aComedy films 606 $aHistorical films 615 0$aComedy films. 615 0$aHistorical films. 676 $a822.3 701 $aSalmi$b Hannu$0455644 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910816051203321 996 $aHistorical comedy on screen$94093284 997 $aUNINA