LEADER 02458nam 2200601Ia 450 001 9910815949303321 005 20230823200135.0 010 $a0-8166-9580-6 035 $a(CKB)1000000000246868 035 $a(OCoLC)191934816 035 $a(CaPaEBR)ebrary10124797 035 $a(SSID)ssj0000277691 035 $a(PQKBManifestationID)11234318 035 $a(PQKBTitleCode)TC0000277691 035 $a(PQKBWorkID)10241535 035 $a(PQKB)10723259 035 $a(MiAaPQ)EBC310688 035 $a(MdBmJHUP)muse38935 035 $a(Au-PeEL)EBL310688 035 $a(CaPaEBR)ebr10124797 035 $a(CaONFJC)MIL522673 035 $a(EXLCZ)991000000000246868 100 $a20041013h20052005 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCarnal art $eOrlan's refacing /$fC. Jill O'Bryan 210 1$aMinneapolis :$cUniversity of Minnesota Press,$d2005. 210 4$aŠ2005 215 $a1 online resource (xviii, 199, [16] pages) $cillustrations 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-8166-4322-9 311 0 $a0-8166-4323-7 320 $aIncludes bibliographical references and index. 327 $gIntroduction:$tShape-shifting --$tOrlan's body of work --$tLooking inside the human body --$tBetween self and other --$tInterior/exterior --$tBeauty/The monstrous feminine --$tPenetrating layers of flesh: carving in/out the body of Orlan --$tFew comments on self-hybridations --$tExtractions: a performative dialogue "with" Orlan. 330 $aThe French artist Orlan is infamous for performances during which her body is surgically altered. Responding to Orlan's definition of her performance surgeries as "carnal art," C. Jill O'Bryan considers how the artist's ever-fluctuating face questions idealized beauty and female identity, and complicates the notion of identity-and its relation to the body-at the boundary dividing art from identity. 606 $aBody art$zFrance 606 $aPerformance art$zFrance 606 $aSurgery in art 615 0$aBody art 615 0$aPerformance art 615 0$aSurgery in art. 676 $a700/.92 700 $aO'Bryan$b C. Jill$01646001 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815949303321 996 $aCarnal art$93992791 997 $aUNINA