LEADER 03018nam 2200589 a 450 001 9910815946603321 005 20200520144314.0 010 $a1-282-03348-4 010 $a0-8135-4643-5 024 7 $a10.36019/9780813546438 035 $a(CKB)1000000000702854 035 $a(EBL)413877 035 $a(OCoLC)476239158 035 $a(SSID)ssj0000103715 035 $a(PQKBManifestationID)11133223 035 $a(PQKBTitleCode)TC0000103715 035 $a(PQKBWorkID)10091702 035 $a(PQKB)10327119 035 $a(DE-B1597)526318 035 $a(OCoLC)1109382358 035 $a(DE-B1597)9780813546438 035 $a(MiAaPQ)EBC413877 035 $a(EXLCZ)991000000000702854 100 $a20080219d2009 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe animated bestiary $eanimals, cartoons, and culture /$fPaul Wells 205 $a1st ed. 210 $aNew Brunswick, N.J. $cRutgers University Press$dc2009 215 $a1 online resource (236 p.) 300 $aDescription based upon print version of record. 311 $a0-8135-4414-9 320 $aIncludes bibliographical references (p. 203-206) and index. 320 $aIncludes filmography: p. 207-209. 327 $aThe bear who wasn't : bestial ambivalence -- Of mice and men : what do animals mean? -- "I don't care what you say, I'm cold" : anthropomorphism, practice, narrative -- Which came first, the chicken or the egg? : performance, philosophy, tradition -- Creature comforted : animal politics, animated memory. 330 $aCartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto. The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves. Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsùsuch as Tarzan, The Jungle Book, and Brother Bearùto reflect on people by looking at the ways in which they respond to animals in cartoons and films. 606 $aAnimals in motion pictures 606 $aAnimated films$xHistory and criticism 615 0$aAnimals in motion pictures. 615 0$aAnimated films$xHistory and criticism. 676 $a791.43/662 700 $aWells$b Paul$f1961-$01757452 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815946603321 996 $aThe animated bestiary$94195302 997 $aUNINA