LEADER 00822nam0-22002771i-450 001 990005059900403321 005 20230123093039.0 035 $a000505990 035 $aFED01000505990 035 $a(Aleph)000505990FED01 100 $a19990530g19499999km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aa---e---00--- 200 1 $aLettere$fVeronica Franco$gdall'unica edizione del 1580 con proemio e nota iconografica a cura di B. Croce 210 $aNapoli$cRicciardi$d1949 215 $aXXXII, 89 p.$cill.$d22 cm 700 1$aFranco,$bVeronica$f<1546-1591>$0202673 702 1$aCroce,$bBenedetto$f<1866-1952> 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005059900403321 952 $aIX FRA 1$bFil.Mod.$fFLFBC 959 $aFLFBC 996 $aLettere$9532403 997 $aUNINA LEADER 02804nam 2200637 450 001 9910815886703321 005 20230803033322.0 010 $a0-299-29613-X 035 $a(CKB)3710000000072774 035 $a(EBL)3445378 035 $a(OCoLC)864900352 035 $a(SSID)ssj0001083382 035 $a(PQKBManifestationID)11631532 035 $a(PQKBTitleCode)TC0001083382 035 $a(PQKBWorkID)11017754 035 $a(PQKB)10980719 035 $a(MiAaPQ)EBC3445378 035 $a(MdBmJHUP)muse28643 035 $a(Au-PeEL)EBL3445378 035 $a(CaPaEBR)ebr10815892 035 $a(CaONFJC)MIL550486 035 $a(EXLCZ)993710000000072774 100 $a20131217d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe modernist masquerade $estylizing life, literature, and costumes in Russia /$fColleen McQuillen 210 1$aMadison, Wisconsin :$cUniversity of Wisconsin Press,$d2013. 210 4$d©2013 215 $a1 online resource (299 p.) 300 $aDescription based upon print version of record. 311 $a0-299-29614-8 320 $aIncludes bibliographical references and index. 327 $a""Contents""; ""List of Illustrations""; ""Acknowledgments""; ""A Note on Transliteration and Abbreviations""; ""Introduction: Masquerades in Russian History and Culture""; ""Part I: Imitation and Stylization""; ""1. The Travestied Masquerade: Aesthetics, Ethics, and Demonism""; ""2. The Political Masquerade: Impersonation, National Identity, and Power""; ""3. The Gender Masquerade: Constructions of Feminine Identity""; ""Part II: Costume Design and Theatricality""; ""4. Figurative Costumes: Metaphors in Text and Textile"" 327 $a""5. Character Costumes: Cultural Memory and the Philological Masquerade """"6. Avant-Garde Costumes: Estranging Practices of Masquerade""; ""7. Revealing Costumes: Bared Bodies on Stage""; ""Conclusion: The Early Soviet Masquerade""; ""Notes""; ""Bibliography""; ""Index"" 606 $aRussian literature$y19th century$xHistory and criticism 606 $aRussian literature$y20th century$xHistory and criticism 606 $aModernism (Literature)$zRussia 606 $aMasquerades$zRussia 606 $aMasquerades in literature 615 0$aRussian literature$xHistory and criticism. 615 0$aRussian literature$xHistory and criticism. 615 0$aModernism (Literature) 615 0$aMasquerades 615 0$aMasquerades in literature. 676 $a791.6 700 $aMcQuillen$b Colleen$f1972-$01646469 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815886703321 996 $aThe modernist masquerade$93993488 997 $aUNINA LEADER 02150nam 2200421z- 450 001 9910917179703321 005 20210212 010 $a989-26-1823-8 035 $a(CKB)4100000011302775 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/59388 035 $a(oapen)doab59388 035 $a(EXLCZ)994100000011302775 100 $a20202102d2019 |y 0 101 0 $apor 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aSimmel: A Rui?na 210 $cCoimbra University Press$d2019 215 $a1 online resource (66 p.) 225 1 $aOlhares 311 08$a989-26-1822-X 330 $aIt presents the centenary essay of Simmel The Ruin, in a version of 1919 although the text originally appeared in 1911, and discusses the author's approach to aesthetics and the meaning of classical ruin. At the same time, the (post)industrial ruins are disallowed, which allows questions about the current hypotheses of the German philosopher. The ruin of Simmel argues about the conflict of nature with the spirit and the way the "revolt" of nature that generates the ruin, also produces peace and temperance. The treatment of Simmel presents general traces of the romantic assessment of ruin and is not immediate its approximation to the context of contemporary ruin resulting from human action (Incuria, degradation and wars). It is this industrial (post) ruin that is brought to the comparison and that by marking two consecrated cases of contemporary urban ruin - Aleppo and Detroit - makes highlighting the aesthetic order of decay in which the contrast with the ruin of Simmel gains sense and actuality. 517 $aSimmel 610 $a(post)industrial ruin 610 $aAesthetics 610 $aClassic ruin 610 $aConflict of nature with the spirit 610 $aContemporary ruin 610 $aMeaning 610 $aRuin 700 $aCarlos Fortuna$4auth$01780329 702 $aAntónio Sousa Ribeiro$4auth 906 $aBOOK 912 $a9910917179703321 996 $aSimmel: A Ruína$94304161 997 $aUNINA