LEADER 02320nam 2200481 450 001 9910815882603321 005 20230808194446.0 010 $a1-4422-4430-5 035 $a(CKB)3710000000769468 035 $a(EBL)4605663 035 $a(OCoLC)954285272 035 $a(PQKBManifestationID)16400296 035 $a(PQKBWorkID)14959142 035 $a(PQKB)22113058 035 $a(MiAaPQ)EBC4605663 035 $a(DLC) 2016016614 035 $a(EXLCZ)993710000000769468 100 $a20160820h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDoo-wop acappella $ea story of street corners, echoes, and three-part harmonies /$fLawrence Pitilli 210 1$aLanham, Maryland :$cRowman & Littlefield,$d2016. 210 4$dİ2016 215 $a1 online resource (241 p.) 300 $aDescription based upon print version of record. 311 $a1-4422-4429-1 320 $aIncludes bibliographical references and index. 327 $aContents; Preface; Acknowledgments; 1 History in the Making; 2 Harmony on an Urban Stage; 3 Nonsense Syllables, Echoes, and the Sweet Science of It All; 4 Where the Boys Were and the Girls Weren't; 5 From Street Corners to Vinyl; 6 Doo-Wop Acappella as Folk Art, Folk Music, and Performance Art; 7 Who's Got Talent?; 8 Doo-Wop Acappella and Popular Culture; 9 Why the Persuasions Matter; 10 Those Oldies But Goodies; 11 Where Do We Go from Here-or-Where Have We Been Going?; Glossary of Terms; Bibliography; Index; About the Author 330 $aIn Doo-Wop Acappella scholar and singer Lawrence Pitilli explores doo-wop acapella groups as manifestations of urban change, mass migrations, ethnic acculturation, and changing radio and recording industries. He reveals how doo-wop groups displayed the dynamics of cultural change in the "sounds"-sonic and linguistic-that every generation seeks to make and remake for themselves. 606 $aDoo-wop (Music)$xHistory and criticism 615 0$aDoo-wop (Music)$xHistory and criticism. 676 $a782.42164309 700 $aPitilli$b Lawrence$01646440 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815882603321 996 $aDoo-wop acappella$93993451 997 $aUNINA