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100   $a20010326d2001      uy         0
101 0 $aeng
135   $aurun#---|u||u
181   $ctxt
182   $cc
183   $acr
200 14$aThe poetics of rock$b[electronic resource] $ecutting tracks, making records /$fAlbin J. Zak III
205   $a1st ed.
210   $aBerkeley $cUniversity of California Press$dc2001
215   $a1 online resource (279 p.)
300   $aDescription based upon print version of record.
311 0 $a0-520-21809-4 
311 0 $a0-520-23224-0 
320   $aIncludes bibliographical references (p. 241-246) and index.
327   $tFront matter --$tContents --$tAcknowledgments --$tIntroduction --$t1. Writing Records --$t2. Tracks --$t3. Sound As Form --$t4. Places And Tools --$t5. Tracking And Mixing --$t6. Engineers And Producers --$t7. Resonance --$tNotes --$tGlossary --$tEngineer And Producer Credits --$tRecordings Cited --$tBibliography --$tIndex
330   $aAfter a hundred years of recording, the process of making records is still mysterious to most people who listen to them. Records hold a fundamental place in the dynamics of modern musical life, but what do they represent? Are they documents? Snapshots? Artworks? Fetishes? Commodities? Conveniences? The Poetics of Rock is a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records. In it, Albin Zak examines the crucial roles played by recording technologies in the construction of rock music and shows how songwriters, musicians, engineers, and producers contribute to the creative project, and how they all leave their mark on the finished work. Zak shapes an image of the compositional milieu by exploring its elements and discussing the issues and concerns faced by artists. Using their testimony to illuminate the nature of record making and of records themselves, he shows that the art of making rock records is a collaborative compositional process that includes many skills and sensibilities not traditionally associated with musical composition. Zak connects all the topics--whether technical, conceptual, aesthetic, or historical--with specific artists and recordings and illustrates them with citations from artists and with musical examples. In lively and engaging prose, The Poetics of Rock brilliantly illustrates how the musical energy from a moment of human expression translates into a musical work wrought in sound.
606   $aRock music$xHistory and criticism
606   $aSound recordings$xProduction and direction
606   $aSound$xRecording and reproducing
610   $aartist.
610   $aartistic.
610   $acontemporary music.
610   $acreative.
610   $acreativity.
610   $aengineers.
610   $afamous music.
610   $afamous musicians.
610   $amodern music.
610   $amusic artist.
610   $amusic composition.
610   $amusic history.
610   $amusic industry.
610   $amusical arrangement.
610   $amusicians.
610   $apoetics.
610   $aproducers.
610   $arecord artist.
610   $arecord industry.
610   $arecording music.
610   $arecording.
610   $arock and roll.
610   $arock music.
610   $asongwriters.
610   $asound engineer.
610   $avinyl music.
610   $avinyl records.
615  0$aRock music$xHistory and criticism.
615  0$aSound recordings$xProduction and direction.
615  0$aSound$xRecording and reproducing.
676   $a781.66/149
700   $aZak$b Albin$01601388
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910815571403321
996   $aThe poetics of rock$93975776
997   $aUNINA